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Tue, 02 Apr 2024 Feature Article

Beware The ‘IDES’ Of March

Beware The ‘IDES’ Of March

If you have read Julius Caesar by William Shakespeare, you may remember that Julius Caesar was warned by a soothsayer to “beware the ‘ides’ of March” . (Ides means the (“middle of”).

Caesar did not heed the prophecy, and was brutally cut down by the swords of enemy assassins’ on the 15th of March.

Luckily, we got our independence from Britain on 6 March 1957 – a mere 9 days before the “ides of March”, true! But it was still NOT the “Ides of March”! However, as we celebrate Independence Day every year, do we pause to wonder at how close that day is to the day fearfully observed by by the Romans as a day of disaster?

Every March since 1957, we have remembered or been told about the euphoria that filled our hearts on that day, especially if we were lucky enough to be alive And were able to take part in the joyous celebrations that marked our great day. As a member of the “Independence Brigade”`myself, I do not regret being trotted out sometimes to share my recollections of the great day.

What those of us who were physically present at the Accra Polo Ground on 6 March 1957 can never forget is the drama of what took place that midnight.

For me, the event was particularly memorable because it was the first time I was, as a Reporter, covering a MAJOR world event. Reporters of all types had arrived in Accra from overseas to witness Britain handing over power to one of its African colonies. And one that had achieved its independence without resorting to armed struggle like, say, Kenya or Cyprus – at that! It was exciting. It was a world first. And there stood I, only 20 years of age, pen in hand, to record what took place for posterity in Ghana. I was walking on air.

I took full advantage of the “PRESS” badge SLUNG around my neck,which enabled me to join the politicians who were crossing the road from the “Parliament House” of the time (King George The Fifth Memorial Hall) to the Polo Ground, near the Accra Community Centre. On the grounds of the Polo field, a special dais had been erected, senior Convention People’s Party (CPP) Ministers had mounted it, to await the sound of the Accra “Post Office Siren”, which had been set to blast out at midnight on the dot. Normally, the siren only blared out at midday. So we were all agog to hear it going at midnight, for the very first time ever.

I noticed that the big men of the CPP were in a very jovial mood. Those who had been imprisoned during the struggle for independence – N.A Welbeck, Krobo Edusei, Kojo Botsio, K.A Gbedemah, Archie Casely-Hayford and Kwame Nkrumah himself - were putting on specially made white caps on which were written the letters ”PG” (meaning “Prison Graduate”).

They were helping one another to put the caps on, laughing all the while; no doubt, in recollection of the exact day and time they were picked up by the police, to be taken to prison for whatever they were alleged to have been Doing, during the struggle for independence.

I was inspired to write a poem about the event which went like this: “Ring for my hungry ears again, Midnight Post Office siren” (I have forgotten the poem now, but I was asked to i read it on Radio Ghana, where a supercilious news reader pointed out to me that “siren” did not rhyme with “again!” He suggested that I should change it. To do my bit for independence, I refused! I was exuding a bravado borne of victorious youthfulness and it pushed me to say "No, you don’t!” to Daniel Jones and his imperious book, “An English Pronouncing Dictionary” which was the broadcaster’s bible. !

As I was saying, at midnight, the siren’s mighty sound rang out: ”HWEEEEEEEEEE!.....Hweeeeee!..... HWEEEEEE!.....

Hweeeeeeeee!”
Now, the siren was normally blown only at noon. But here was it sounding at midnight. The novelty of the happening was greeted with an enormous cheer by the huge crowd at the Polo Ground, which probably comprised everyone in Accra who was hale and hearty and could be there. They yelled back ”YIEEEEEEEEEEEEEEEE!”after each blast of the siren.

When the siren fell silent at last, Kwame Nkrumah shouted: “Freedom!” three times to the crowd. This was his usual greeting to crowds that gathered to hear him at political meetings (such as rallies at the “West End Arena” in Accra).

The crowd responded heartily. But he wasn’t satisfied with the strength of their response. He must have reasoned, then, that it was the lack of strength in his own voice that had brought the weakish response.

So Nkrumah turned to the best-known “rabble-rouser” in the “PG” group, Krobo Edusei, and asked him in Twi:”Bepae ma me!” {Come and arouse them for me!}

Now, imagine a young Reporter happening to be within earshot of such a dramatic eventuality!

Of course, Krobo Edusei was only too glad to oblige. And thus was born the drama of the Accra Polo Ground on 6 March 1957, which is viral on the internet these days:

KROBO EDUSEI: CHOOOOOOOOBOI! CROWD: YAAAAAAA EEEEEEEEEEI!” (repeat)

The crowd was electrified. And they electrified Kwame Nkrumah, who yelled: “At long last, the battle has ended! And Ghana, your beloved country, is free forever!”

The response from the crowd, at the sound of those twenty or so words, could have been heard in Cape Coast and even Bawku: “YEEEEEEEEEEEEEEEEEEEEEEEEE!”

And that was it: from Gold Coast to Ghana. Accomplished.

But now, 67 years later, comes a Caesarean warning, such as could have been uttered in 1957: “Beware the ides of March!”

Ghanaians seem to be now set – relentlessly – on a path of self-assassination.

We are destroying our drinking water,
In search of gold;
We are mercury-poisoning
The water with which we cook!
We are killing our cocoa trees,
By rotting their roots with arsenic;
Babies with neither nose nor eyes
Are being born in our hospitals
And our high political bodies
Are polluted with galamsey bribes.
Chiefs o,
Chairmen o,
Drivers o,
Macho men o,
They all dey inside!
Ghana, beware– beware the ides of March!

Oh beloved Ghana,
Please beware the ides of March!
Your unborn children are crying,
Asking: if YOUR ancestors
Had poisoned the water-bodies,
Would you be here today
To make galamsey your god?
Your ancestors dug up so much gold
That the country itself
Became named
As the “Gold Coast”;
But those ancestors took care
Not to harm any water-bodies;
And YOU drank good water
And grew up —
To become unmindful;
Of your own children’s future!
Of your children’s children’s welfare.

Ao, midnight siren,
Is this what you brought?
Is this what
That Polo Ground “WHEEEEEEEEE!”
Was all about?
No, Ghana, no!
You are letting yourself down!
And – letting Africa down!

Cameron Duodu
Cameron Duodu, © 2024

Martin Cameron Duodu is a United Kingdom-based Ghanaian novelist, journalist, editor and broadcaster. After publishing a novel, The Gab Boys, in 1967, Duodu went on to a career as a journalist and editorialist.. More Martin Cameron Duodu (born 24 May 1937) is a United Kingdom-based Ghanaian novelist, journalist, editor and broadcaster. After publishing a novel, The Gab Boys, in 1967, Duodu went on to a career as a journalist and editorialist.

Education
Duodu was born in Asiakwa in eastern Ghana and educated at Kyebi Government Senior School and the Rapid Results College, London , through which he took his O-Level and A-Level examinations by correspondence course . He began writing while still at school, the first story he ever wrote ("Tough Guy In Town") being broadcast on the radio programme The Singing Net and subsequently included in Voices of Ghana , a 1958 anthology edited by Henry Swanzy that was "the first Ghanaian literary anthology of poems, stories, plays and essays".

Early career
Duodu was a student teacher in 1954, and worked on a general magazine called New Nation in Ghana, before going on to become a radio journalist for the Ghana Broadcasting Corporation from 1956 to 1960, becoming editor of radio news <8> (moonlighting by contributing short stories and poetry to The Singing Net and plays to the programme Ghana Theatre). <9> From 1960 to 1965 he was editor of the Ghana edition of the South African magazine Drum , <10> and in 1970 edited the Daily Graphic , <3> the biggest-selling newspaper in Ghana.< citation needed >

The Gab Boys (1967) and creative writing
In 1967, Duodu's novel The Gab Boys was published in London by André Deutsch . The "gab boys" of the title – so called because of their gabardine trousers – are the sharply dressed youths who hang about the village and are considered delinquent by their elders. The novel is the story of the adventures of one of them, who runs away from village life, eventually finding a new life in the Ghana capital of Accra . According to one recent critic, "Duodu simultaneously represents two currents in West African literature of the time, on the one hand the exploration of cultural conflict and political corruption in post-colonial African society associated with novelists and playwrights such as Chinua Achebe and Ama Ata Aidoo , and on the other hand the optimistic affirmation of African cultural strengths found in poets of the time such as David Diop and Frank Kobina Parkes . These themes come together in a very compassionate discussion of the way that individual people, rich and poor, are pushed to compromise themselves as they try to navigate a near-chaotic transitional society."

In June 2010 Duodu was a participant in the symposium Empire and Me: Personal Recollections of Imperialism in Reality and Imagination, held at Cumberland Lodge , alongside other speakers who included Diran Adebayo , Jake Arnott , Margaret Busby , Meira Chand , Michelle de Kretser , Nuruddin Farah , Jack Mapanje , Susheila Nasta , Jacob Ross , Marina Warner , and others.

Duodu also writes plays and poetry. His work was included in the anthology Messages: Poems from Ghana ( Heinemann Educational Books , 1970).

Other activities and journalism
Having worked as a correspondent for various publications in the decades since the 1960s, including The Observer , The Financial Times , The Sunday Times , United Press International , Reuters , De Volkskrant ( Amsterdam ), and The Economist , Duodu has been based in Britain as a freelance journalist since the 1980s. He has had stints with the magazines South and Index on Censorship , and has written regularly for outlets such as The Independent and The Guardian .

He is the author of the blog "Under the Neem Tree" in New African magazine (London), and has also published regular columns in The Mail and Guardian ( Johannesburg ) and City Press (Johannesburg), as well as writing a weekly column for the Ghanaian Times (Accra) for many years.< citation needed >

Duodu has appeared frequently as a contributor on BBC World TV and BBC World Service radio news programmes discussing African politics, economy and culture.

He contributed to the 2014 volume Essays in Honour of Wole Soyinka at 80, edited by Ivor Agyeman-Duah and Ogochukwu Promise.
Column: Cameron Duodu

Disclaimer: "The views expressed in this article are the author’s own and do not necessarily reflect ModernGhana official position. ModernGhana will not be responsible or liable for any inaccurate or incorrect statements in the contributions or columns here." Follow our WhatsApp channel for meaningful stories picked for your day.

Comments

Ankoma | 4/21/2024 5:01:14 PM

The chiefs, the chiefs, the chiefs !!!!!! The government is in Acccra but the chief is in the community and they look on because brown envelope has been received by the chiefs . " Beware of the Ides of March "ampa! National security , ministry of defence and the ministry of int. are all like have thrown in the towel . This is internal issue, what can they do if it is external ? Is this a national security issue?

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