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Sat, 07 Apr 2018 Feature Article

Much Ado About Nothing

Much Ado About Nothing

It is to be hoped that the short, crisp radio and TV address to the nation by the President, Nana Addo Dankwa Akufo-Addo, on the “non-military-base” agreement between the US and Ghana will persuade the NDC to find more cogent reasons to whip up public sentiment.

Inciting the public to go on a demonstration against an agreement which is nothing but a rewording of similar agreements you had yourselves signed when you were in office? Disgracefully dishonest. But that’s politricks.

But the NDC’s hypocrisy does not mean that the government quite comes out of the affair smelling of roses. The way and manner the agreement was taken to parliament for ratification was totally inept and gave the Minority a totally unexpected weapon to whip the government with. It enabled an NDC that was lying flat on its face, driven apart by the vexed question of whether it wanted Mr John Dramani Mahama to lead it to defeat in the next presidential election, to claim the political high ground.

First of all, the NPP ministers who should have been primarily seized on the agreement – the Ministers of Defence, of Foreign Affairs, the Interior and National Security, appear not to have been too well briefed on Ghana’s past relationships with the US, especially on military matters.

Is it really that difficult to trace agreements signed in the past with foreign countries? Even if the past agreements were merely about kokoo-ne-nkatier (ripe plantain and roasted groundnuts) they ought to have been filed under “Ghana-US Relations”, and copies sent to the presidency and all relevant ministries.

As the situation was, the Minister of Defence seemed to be discovering agreements and versions of agreements by the minute, and sharing their contents with radio and television stations. Is that how an agreement apparently approved by a Cabinet Committee and due to be forwarded to parliament for ratification, should be resented?

That “fire-dousing” modus operandi turned out to be extremely amateurish. For it should have been anticipated that an agreement between a Great Powers (the US) and a traditionally non-aligned country (Ghana) would, of necessity, be minutely examined and that all ambiguous issues not technically germane to the actual operation of the agreement and capable of arousing controversy in the interpretation department, should be expunged from it.

The well-known proverb says that “there are many ways of killing a cat”, and it is not strictly everything that needs to be written down. Okay, so the US has its way of doing things. But the US government has a political constituency that’s different from ours. So, where the US might want explicitness, we might find flexible wording more appropriate.

It is up to our side always to evolve a strategy in negotiations that enables it to benefit from plausible deniability. We should be fully aware that (as the saying goes) “diplomacy is the art of being sent to a foreign country to lie on behalf of one’s own country!”

On this particular agreement with the US, it should have been realised that if you mention the word, runway, in a military agreement, some minds would automatically associate it with military base. And it is only someone who lives on Mars who would not be aware that the term, “US military base” constitutes political dynamite – from Okinawa to Taiwan to the Azores, to Djibouti, to Ascension Island. “Bases equal demo/marches” might quite as easily be taken as an Einsteinian Eureka moment as the mass/energy thing itself.

So, the next time the Ghana Cabinet finds a parliamentary hot potato in one of its folders, it should develop a practical strategy for presenting it. Its own Members of Parliament should come first: any concerns that they might express should be addressed.

Then the hot potato must be presented to selected communicators as deep background, on a non-attributable basis. So, by the time it reaches the floor of parliament, all the knotty/sticky points would have been extruded and, as it were, “disarmed”. US intelligence would, of course, be apprised of these manoeuvres and before the Cabinet knew it, the US itself might suggest “improvements” to the original wording of the draft agreement. I saw the signature of one “Logistics Director” of the US Army on one of the agreements. How could “political dynamite” of that type be left to the military?

Anyway, to wait and then scurry to find explanations AFTER Joy FM had published a leaked version of the agreement was extremely amateurish. Today, the Minister of Defence would say (a). The next day, he would say he had just discovered (b)!

Government spokespersons would rationalise the provisions of (a). But then, a Parliamentary Committee would debate the agreement on the basis of both (a) and (b). What does anyone expect sharp-toothed NDC communicators to do except detect that there is major unease in the government camp itself?

So, of course, the NDC opens fire with all guns blazing. Koku Anyidoho, the Don Quixote of Ghana politics, actually utters the unmentionable words, coup d’etat! And an instant martyr is crafted! Treason; treasonable felony; are we back in the bad old days of “conspiracy to conspire”?

It was right of the president to try and douse the flames of the ruckus. Lessons learned, let there be a line drawn under the issue. For it has been much ado about nothing, really. Isn’t the idea that the NDC is “anti-American”, while the NPP has “sold out” to the Americans, just simply ridiculous beyond belief? Hard-headed political analysts must be having a great laugh – at the expense of our polity. We must never again make such almighty fools of ourselves.

From Cameron Duodu

Cameron Duodu
Cameron Duodu, © 2018

Martin Cameron Duodu is a United Kingdom-based Ghanaian novelist, journalist, editor and broadcaster. After publishing a novel, The Gab Boys, in 1967, Duodu went on to a career as a journalist and editorialist.. More Martin Cameron Duodu (born 24 May 1937) is a United Kingdom-based Ghanaian novelist, journalist, editor and broadcaster. After publishing a novel, The Gab Boys, in 1967, Duodu went on to a career as a journalist and editorialist.

Education
Duodu was born in Asiakwa in eastern Ghana and educated at Kyebi Government Senior School and the Rapid Results College, London , through which he took his O-Level and A-Level examinations by correspondence course . He began writing while still at school, the first story he ever wrote ("Tough Guy In Town") being broadcast on the radio programme The Singing Net and subsequently included in Voices of Ghana , a 1958 anthology edited by Henry Swanzy that was "the first Ghanaian literary anthology of poems, stories, plays and essays".

Early career
Duodu was a student teacher in 1954, and worked on a general magazine called New Nation in Ghana, before going on to become a radio journalist for the Ghana Broadcasting Corporation from 1956 to 1960, becoming editor of radio news <8> (moonlighting by contributing short stories and poetry to The Singing Net and plays to the programme Ghana Theatre). <9> From 1960 to 1965 he was editor of the Ghana edition of the South African magazine Drum , <10> and in 1970 edited the Daily Graphic , <3> the biggest-selling newspaper in Ghana.< citation needed >

The Gab Boys (1967) and creative writing
In 1967, Duodu's novel The Gab Boys was published in London by André Deutsch . The "gab boys" of the title – so called because of their gabardine trousers – are the sharply dressed youths who hang about the village and are considered delinquent by their elders. The novel is the story of the adventures of one of them, who runs away from village life, eventually finding a new life in the Ghana capital of Accra . According to one recent critic, "Duodu simultaneously represents two currents in West African literature of the time, on the one hand the exploration of cultural conflict and political corruption in post-colonial African society associated with novelists and playwrights such as Chinua Achebe and Ama Ata Aidoo , and on the other hand the optimistic affirmation of African cultural strengths found in poets of the time such as David Diop and Frank Kobina Parkes . These themes come together in a very compassionate discussion of the way that individual people, rich and poor, are pushed to compromise themselves as they try to navigate a near-chaotic transitional society."

In June 2010 Duodu was a participant in the symposium Empire and Me: Personal Recollections of Imperialism in Reality and Imagination, held at Cumberland Lodge , alongside other speakers who included Diran Adebayo , Jake Arnott , Margaret Busby , Meira Chand , Michelle de Kretser , Nuruddin Farah , Jack Mapanje , Susheila Nasta , Jacob Ross , Marina Warner , and others.

Duodu also writes plays and poetry. His work was included in the anthology Messages: Poems from Ghana ( Heinemann Educational Books , 1970).

Other activities and journalism
Having worked as a correspondent for various publications in the decades since the 1960s, including The Observer , The Financial Times , The Sunday Times , United Press International , Reuters , De Volkskrant ( Amsterdam ), and The Economist , Duodu has been based in Britain as a freelance journalist since the 1980s. He has had stints with the magazines South and Index on Censorship , and has written regularly for outlets such as The Independent and The Guardian .

He is the author of the blog "Under the Neem Tree" in New African magazine (London), and has also published regular columns in The Mail and Guardian ( Johannesburg ) and City Press (Johannesburg), as well as writing a weekly column for the Ghanaian Times (Accra) for many years.< citation needed >

Duodu has appeared frequently as a contributor on BBC World TV and BBC World Service radio news programmes discussing African politics, economy and culture.

He contributed to the 2014 volume Essays in Honour of Wole Soyinka at 80, edited by Ivor Agyeman-Duah and Ogochukwu Promise.
Column: Cameron Duodu

Disclaimer: "The views expressed in this article are the author’s own and do not necessarily reflect ModernGhana official position. ModernGhana will not be responsible or liable for any inaccurate or incorrect statements in the contributions or columns here." Follow our WhatsApp channel for meaningful stories picked for your day.

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