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Sun, 20 Aug 2017 Feature Article

Is There One ‘History’ Or Are There Several ‘Histories’?

Is There One ‘History’ Or Are There Several ‘Histories’?

There are two answers to the question, “Who founded Ghana”.

If you are an Nkrumahist, the answer is simple: Kwame Nkrumah, as the prime minister who received the instruments of Ghana’s independence from the Duchess of Kent on 6 March 1957, automatically became the “founder of Ghana.”

But if you are from what’s called the Danquah-Busia political tendency, the idea that one man “founded” Ghana is absurd. A tree does not consist only of its foliage, its branches or its stem. It’s also got roots, and although the roots, being underground, are not visible, that does not mean that they do not exist. Moreover, without the roots, a tree wouldn’t be able to draw plant food from the soil, to transport through its stem and branches to the leaves, where the plant food is turned into energy, through a process known to science as “photosynthesis”.

Narrowing Ghana’s history down to a “founder” (one person) is therefore flawed. But, of course, the question can never be answered to the satisfaction of everyone. That is because history enters our brains through several filters, the most important of which is the political persuasion of the person writing it.

I have the authority of no less a person than the retired Professor of History at the University of Ghana, Dr Robert Addo-Fening (about whom I have been writing in this paper recently for pointing out the subjective nature of much of what we call history. Professor Addo-Fening sat down and penned an instructive paper on the nature of history, as soon as the controversy broke out over the question of whether Ghana had one or more founders.

He tells us that in his book, 'Uses and Abuses of Power' published in 1970 (University of Chicago Press), a Ghanaian political scientist in the US, Maxwell Owusu, observes that “in situations of social change, as groups and individuals compete for political and economic advantages,” [they strategically] reinterpret, redefine, and manipulate tradition or custom. (p5)”.

Prof Addo-Fening writes: “This observation will no doubt resonate with our countrymen who regret what appears to be a calculated attempt by some of our countrymen to distort the historical reality of our recent past for partisan political advantage. Nineteenth century England went through a similar experience which developed out of the long-standing political feud between Protestantism and Catholicism from the 16th century. In some ways, I see what is happening in our country as a throwback to the 19th century wrangle between the 'predecessor' parties of modern day Tory and Liberal parties in the United Kingdom, which led to abuse of the process of historical reconstruction, known to historians as the Whig interpretation of History.”

The Whig interpretation of history [the Prof tells us] developed out of the debates between the WHIGS (now the Liberal Party), and the TORIES (now the Conservative Party) over the English Revolution of the 17th century. The long-standing political feud between Protestantism and Catholicism in the time of King James 11 (1685-89) resolved itself into a conflict between ‘Royal Absolutism’ on the one hand, and Parliamentary Democracy and personal liberty on the other.

In the 18th Century, the Protestants became identified with the Whigs while the Catholics aligned themselves with the Tories. Under King George 1 (1714-1761) the Whig land-owning aristocracy who had played a leading role in the Revolution of 1689, achieved supremacy and enjoyed majority representation in the House of Lords.

But this changed later, when English public opinion was swept by a strong counter-current against the Tories. . The Whigs rode on the crest of the counter current, raising the 'Reform' as their battle cry. Behind the Whigs were the radicals who threatened revolution.

Prof Addo-Fening tells us: “Nearly all British historians of the 19th century, without exception, regarded the course of History as the 'unfolding of the principle of human progress. Progress became the measure of History and the ideology of a confident, rapidly progressing Britain. In the political wrangle that ensued, each side appealed to history, reading and interpreting the English Revolutions of the 17th century to its advantage. While the Whigs held up the revolution as a warning, the Radicals held it up as a deterrent.”

For instance, the Historian Pieter Geyl, criticised one of the most famous historians of England, McCauley, says “McCauley’s “distorted picture” of the period McCauley wrote about was “a function of the fact that Macaulay 'came to the contemplation of the past with a mind brimming over with ideas and sentiments about the present'. Hence, McCauley was not able to avoid 'the temptation to judge men and events of earlier ages 'by the dictates of the preoccupations of his own time or age'.

Prof Addo-Fening comments that it is this mental attitude to the past, an attitude which is “unhistorical” in the deepest sense, that is referred to as the Whig interpretation of History.” It is an attempt to 'imaginatively transpose' oneself into the past and 'make intellectual adjustments' when a historian confronts a generation earlier than his.

For McCauley and other historians of the Whig tradition, a past event has relevance for them only in so far as it serves their generation. Adherents of the Whig interpretation of History study the past for the sake of the present, not in an effort to understand the past for the sake of the past.”

But, the Prof warns, “the importance of unbiased history in national development is not in doubt. An unbiased, non-discriminatory, non-controversial reconstruction of our country's past can be a powerful tool for forging a sense of shared destiny, which will strengthen the camaraderie between social groups in our multi-ethnic and multi-cultural society. By the same token, any calculated attempt to abuse History by using our past to discredit any group for unfair political advantage, will polarize and paralyse our society. History should not be a figment of any body's imagination. It must be based on evidence, essentially bits of the past that have left 'traces' of itself, traces that the historian calls 'sources'; bits which have survived in a variety of forms: documents, archaeological remains, eyewitness accounts and oral tradition.

“It must seek to paint a picture of the past, by connecting individual events together into a coherent account. Admittedly, there is a greater element of subjectivity in history than in science. A body of propositions is described as 'objective' if it is the case that all persons who seriously investigate them will accept them, because it has a universal character which makes it impartial and impersonal. Two or more competent scientists, given the same evidence will achieve the same results. Objectivity of science is not a function of their subject matter. It arises from the existence of clearly defined, standardized methodologies or procedures.

“Historical works [on the other hand] are incapable of achieving the same extent of objectivity as scientific works, because knowledge acquired by the scientific method is demonstrable or verifiable. By contrast, historical conclusions are subjective because of the element of interpretation.”

The full paper written by Prof Addo-Fening is being made available to the editor of the Daily Guide and my hope is that it will be published in subsequent editions of the paper soon.

By Cameron Duodu

Cameron Duodu
Cameron Duodu, © 2017

Martin Cameron Duodu is a United Kingdom-based Ghanaian novelist, journalist, editor and broadcaster. After publishing a novel, The Gab Boys, in 1967, Duodu went on to a career as a journalist and editorialist.. More Martin Cameron Duodu (born 24 May 1937) is a United Kingdom-based Ghanaian novelist, journalist, editor and broadcaster. After publishing a novel, The Gab Boys, in 1967, Duodu went on to a career as a journalist and editorialist.

Education
Duodu was born in Asiakwa in eastern Ghana and educated at Kyebi Government Senior School and the Rapid Results College, London , through which he took his O-Level and A-Level examinations by correspondence course . He began writing while still at school, the first story he ever wrote ("Tough Guy In Town") being broadcast on the radio programme The Singing Net and subsequently included in Voices of Ghana , a 1958 anthology edited by Henry Swanzy that was "the first Ghanaian literary anthology of poems, stories, plays and essays".

Early career
Duodu was a student teacher in 1954, and worked on a general magazine called New Nation in Ghana, before going on to become a radio journalist for the Ghana Broadcasting Corporation from 1956 to 1960, becoming editor of radio news <8> (moonlighting by contributing short stories and poetry to The Singing Net and plays to the programme Ghana Theatre). <9> From 1960 to 1965 he was editor of the Ghana edition of the South African magazine Drum , <10> and in 1970 edited the Daily Graphic , <3> the biggest-selling newspaper in Ghana.< citation needed >

The Gab Boys (1967) and creative writing
In 1967, Duodu's novel The Gab Boys was published in London by André Deutsch . The "gab boys" of the title – so called because of their gabardine trousers – are the sharply dressed youths who hang about the village and are considered delinquent by their elders. The novel is the story of the adventures of one of them, who runs away from village life, eventually finding a new life in the Ghana capital of Accra . According to one recent critic, "Duodu simultaneously represents two currents in West African literature of the time, on the one hand the exploration of cultural conflict and political corruption in post-colonial African society associated with novelists and playwrights such as Chinua Achebe and Ama Ata Aidoo , and on the other hand the optimistic affirmation of African cultural strengths found in poets of the time such as David Diop and Frank Kobina Parkes . These themes come together in a very compassionate discussion of the way that individual people, rich and poor, are pushed to compromise themselves as they try to navigate a near-chaotic transitional society."

In June 2010 Duodu was a participant in the symposium Empire and Me: Personal Recollections of Imperialism in Reality and Imagination, held at Cumberland Lodge , alongside other speakers who included Diran Adebayo , Jake Arnott , Margaret Busby , Meira Chand , Michelle de Kretser , Nuruddin Farah , Jack Mapanje , Susheila Nasta , Jacob Ross , Marina Warner , and others.

Duodu also writes plays and poetry. His work was included in the anthology Messages: Poems from Ghana ( Heinemann Educational Books , 1970).

Other activities and journalism
Having worked as a correspondent for various publications in the decades since the 1960s, including The Observer , The Financial Times , The Sunday Times , United Press International , Reuters , De Volkskrant ( Amsterdam ), and The Economist , Duodu has been based in Britain as a freelance journalist since the 1980s. He has had stints with the magazines South and Index on Censorship , and has written regularly for outlets such as The Independent and The Guardian .

He is the author of the blog "Under the Neem Tree" in New African magazine (London), and has also published regular columns in The Mail and Guardian ( Johannesburg ) and City Press (Johannesburg), as well as writing a weekly column for the Ghanaian Times (Accra) for many years.< citation needed >

Duodu has appeared frequently as a contributor on BBC World TV and BBC World Service radio news programmes discussing African politics, economy and culture.

He contributed to the 2014 volume Essays in Honour of Wole Soyinka at 80, edited by Ivor Agyeman-Duah and Ogochukwu Promise.
Column: Cameron Duodu

Disclaimer: "The views expressed in this article are the author’s own and do not necessarily reflect ModernGhana official position. ModernGhana will not be responsible or liable for any inaccurate or incorrect statements in the contributions or columns here." Follow our WhatsApp channel for meaningful stories picked for your day.

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