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Africa Has Lost Another Writer – John Nagenda Of Uganda

Feature Article Africa Has Lost Another Writer – John Nagenda Of Uganda
SAT, 14 OCT 2023

John Nagenda, who has died in Kampala, Uganda, aged 84, was one of the writers who emerged in Africa after their countries had gained their independence from Britain.

I met him at an African Writers’ Conference – the first of its kind – organised at Makerere University in 1962. From Ghana, the delegates were myself, Efua Sutherland and Kofi Awoonor; from Nigeria came Chinua Achebe, Wole Soyinka and Chris Okigbo; while South Africa’s delegates included Ezekiel (later Iskiya) Mphahlele, Lewis Nkosi, Bloke Modisane and Bob Leshoai.

For years, Africa had been arbitrarily divided into rigid geographical “grids” with Africans hardly ever meeting one another in person. So the Makerere conference enabled Africans to discover the persons behind the continent's plethora of geographical labels.

I remember what a thrill it was to meet black South Africans for the first time, having been exposed to their lives and culture, through DRUM Magazine (whose Ghana editor I had just become.) DRUM had been born in South Africa, but had soon sprouted a host of “offshoots” in Ghana, Nigeria, East Africa and Central Africa. So, I was pleased to meet Mphahlele, Bloke and Lewis (all of whose bylines I had seen in the “mother” (South African) edition of DRUM.

I was late in arriving at the conference, but on arrival, I Kofi Awoonor, a most sociable individual, passed on to me, the delegates who welcomed friendship, as against those who were aloof. The former included the brilliant poet from Nigeria, Chris Okigbo, and a young Ugandan writer called John Nagenda.

Friendship with John Nagenda was easily the most auspicious that I cultivated at the Makerere Conference.

The guy was full of life and – fun. He was handsome, athletic in build and extremely humorous. He was amused at our reaction to the way Ugandans pronounced certain words in English, and taught us how Swahili had taken over certain English expressions; for instance, that what we called “roundabouts’ in West Africa, were called kipileftis in Uganda!.

I re-encountered John Nagenda in England in the 1980s. As it happened, John too had left Uganda for political reasons.

Before going to live in England, he had achieved fame as the only black African to play in the Cricket World Cup of 1975. (He bowled for East Africa in a team made up of Ugandans, Kenyans and Tanganyikans.) He described the experience as life-changing – just imagine (he said) “rubbing wrists” in person, as it were, with the likes of Vivian Richards and Michael Holding [West Indies], Imran Khan [Pakistan] and the other cricket geniuses that one had been seeing on TV!”

John fulfilled our Makerere Conference expectations and published a novel entitled

The Seasons of Thomas Tebo and a children’s book entitled Mukasa. He was also influential in getting a number of fellow Ugandan writers published abroad.

During his days spent in exile in England, John helped to run a cricket magazine. I once met him at a pub near the magazine’s offices, one afternoon. He was surrounded by a bevy of lady admirers, who made sure that he didn't drink too much white wine, and that horses he fancied were worth betting on.

Around 1985, he called me and introduced me to a Ugandan politician, whom he wanted me to interview for one of the papers I was writing for in London – Chief M K O Abiola’s African Concord.

The Ugandan politician was a guy called Eriya Kategaya, and he was one of the top leaders of a party that had been formed by Ugandan exiles, called the”National Resistance Movement.” They wanted to seize power in Uganda through guerrilla warfare. I was sceptical, for Africa was littered with all manner of “revolutionary” movements at the time, most of them spending their time in European capitals and doing very little on the ground in Africa. But Eriya Kategaya’s modesty and apparent seriousness of purpose won me over, and I gave the story quite a good play.

Within months, the NRA had achieved victory in Uganda, and I was immediately sent by the London Observer to go to Kampala and cover the story. The new Ugandan Prime Minister, Mr Samson Kisekka, gave me an exclusive interview, and two of his sons took me into the Ugandan countryside to find out how much support the NRM had in the rural areas.

I was astounded to find that at a junction, a couple of unarmed civilians guarding a person who had sold to other people, rationed goods supplied to him for his family’s use.

Surprised,I queried:“But he can run away, if he is being guarded only by unarmed men?” I queried. The guards shot back: “Run away to where?” I realised, then,that the NRM was a truly revolutionary movement.

John Nagenda became Senior Adviser to the NRM leader, President Yoweri Museveni. He has been ruling since 1986 – despite John advising him to retire, after “training” someone else to take over leadership of the country.

John died a month before his 84th birthday. He will be mourned for his intelligence and generosity, but above all, for his excellent sense of humour.

I am inconsolable.

Cameron Duodu
Cameron Duodu, © 2023

Martin Cameron Duodu is a United Kingdom-based Ghanaian novelist, journalist, editor and broadcaster. After publishing a novel, The Gab Boys, in 1967, Duodu went on to a career as a journalist and editorialist.. More Martin Cameron Duodu (born 24 May 1937) is a United Kingdom-based Ghanaian novelist, journalist, editor and broadcaster. After publishing a novel, The Gab Boys, in 1967, Duodu went on to a career as a journalist and editorialist.

Education
Duodu was born in Asiakwa in eastern Ghana and educated at Kyebi Government Senior School and the Rapid Results College, London , through which he took his O-Level and A-Level examinations by correspondence course . He began writing while still at school, the first story he ever wrote ("Tough Guy In Town") being broadcast on the radio programme The Singing Net and subsequently included in Voices of Ghana , a 1958 anthology edited by Henry Swanzy that was "the first Ghanaian literary anthology of poems, stories, plays and essays".

Early career
Duodu was a student teacher in 1954, and worked on a general magazine called New Nation in Ghana, before going on to become a radio journalist for the Ghana Broadcasting Corporation from 1956 to 1960, becoming editor of radio news <8> (moonlighting by contributing short stories and poetry to The Singing Net and plays to the programme Ghana Theatre). <9> From 1960 to 1965 he was editor of the Ghana edition of the South African magazine Drum , <10> and in 1970 edited the Daily Graphic , <3> the biggest-selling newspaper in Ghana.< citation needed >

The Gab Boys (1967) and creative writing
In 1967, Duodu's novel The Gab Boys was published in London by André Deutsch . The "gab boys" of the title – so called because of their gabardine trousers – are the sharply dressed youths who hang about the village and are considered delinquent by their elders. The novel is the story of the adventures of one of them, who runs away from village life, eventually finding a new life in the Ghana capital of Accra . According to one recent critic, "Duodu simultaneously represents two currents in West African literature of the time, on the one hand the exploration of cultural conflict and political corruption in post-colonial African society associated with novelists and playwrights such as Chinua Achebe and Ama Ata Aidoo , and on the other hand the optimistic affirmation of African cultural strengths found in poets of the time such as David Diop and Frank Kobina Parkes . These themes come together in a very compassionate discussion of the way that individual people, rich and poor, are pushed to compromise themselves as they try to navigate a near-chaotic transitional society."

In June 2010 Duodu was a participant in the symposium Empire and Me: Personal Recollections of Imperialism in Reality and Imagination, held at Cumberland Lodge , alongside other speakers who included Diran Adebayo , Jake Arnott , Margaret Busby , Meira Chand , Michelle de Kretser , Nuruddin Farah , Jack Mapanje , Susheila Nasta , Jacob Ross , Marina Warner , and others.

Duodu also writes plays and poetry. His work was included in the anthology Messages: Poems from Ghana ( Heinemann Educational Books , 1970).

Other activities and journalism
Having worked as a correspondent for various publications in the decades since the 1960s, including The Observer , The Financial Times , The Sunday Times , United Press International , Reuters , De Volkskrant ( Amsterdam ), and The Economist , Duodu has been based in Britain as a freelance journalist since the 1980s. He has had stints with the magazines South and Index on Censorship , and has written regularly for outlets such as The Independent and The Guardian .

He is the author of the blog "Under the Neem Tree" in New African magazine (London), and has also published regular columns in The Mail and Guardian ( Johannesburg ) and City Press (Johannesburg), as well as writing a weekly column for the Ghanaian Times (Accra) for many years.< citation needed >

Duodu has appeared frequently as a contributor on BBC World TV and BBC World Service radio news programmes discussing African politics, economy and culture.

He contributed to the 2014 volume Essays in Honour of Wole Soyinka at 80, edited by Ivor Agyeman-Duah and Ogochukwu Promise.
Column: Cameron Duodu

Disclaimer: "The views expressed in this article are the author’s own and do not necessarily reflect ModernGhana official position. ModernGhana will not be responsible or liable for any inaccurate or incorrect statements in the contributions or columns here." Follow our WhatsApp channel for meaningful stories picked for your day.

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