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The GJA At Seventy (1)

Feature Article Affail Monney
SAT, 01 JUN 2019
Affail Monney

“Institutional memory” is sometimes embarrassingly short in this country. So much so that even the organisation that groups together, those who should record our social history — the Ghana Journalists Association– occasionally become guilty of that social vice.

For instance, at the GJA’s first event to launch its 70thanniversary celebrations — gracefully performed by ex-President J A Kufuor — some of the people who played a great role in starting to organise journalists in this country were not publicly mentioned. But there should have been a “libation” poured in their honour, as per tradition.

Martin Therson-Cofie (founding editor of the Daily Graphic) was one of few names that brought back memories of those early days. To be sure, the martyrs of Ghanaian journalism – Tommy Thompson, John Kugblenu and the recently -murdered Ahmed Saule – were acknowledged and mourned.

But they represented journalism in general, whereas there were others before them who specifically contributed towards organising journalists into a coherent group. I value them greatly, because journalists are not the easiest people to pry away from self-interest, egotism and indiscipline into trying to achieve a common goal.

In that sphere, I remember the genial Carl Reindorf (who flitted effortlessly between journalism and public relations) and was a most energetic organising secretary of the early “Press Club”.

Then there was that other very sociable gentleman, Eric Adjorlolo of the Ghana Broadcasting Corporation, who was our Treasurer.

But the man who was the most visible official of the Press Club was Henry Ofori, our long-term Secretary. He was clubbable, even-tempered, and provided with the ability to dissolve tension by creating laughter. For, he was, of course, “Carl Mutt” of the Graphic and Sunday Mirror; and also, the great humorist known as Cassius Nimbus.

Henry Ofori’s good nature hid a widespread knowledge of world affairs, which impelled him to position the Ghanaian Press Club in the post-colonial world by affiliating to international organisations, such as the International Organisation of Journalists.

Our subsequent exposure to the world at large brought immense rewards: important visitors to Ghana made it a point to come see us at the Press Club. We hosted Malcolm X. Many great African freedom fighters came and drank with us. And we played host to some of Africa’s most distinguished exiles – Sam Ikoku, and Olu Adebanjo, from Nigeria, a guy called Damz from (I think) Niger, and South Africans like Tennyson Makiwane and Alfred Hutchinson.

You can read about foreign countries as much as you like, without getting to know how it feels to be from a foreign country. But sit down and have a chat and that country will annex part of your psyche – especially if its story of struggle was exciting enough, as was the case with South Africa and many others.

By becoming international in outlook, we also strengthened our status at home. For the Ghana Press Club was the venue where the Attorney-General of the time, Geoffrey Bing, exposed a story the London Daily Express had published, which wrongly described a group of prisoners chained together, apparently in Togo, as Ghanaian political prisoners. My guess is that the Daily Express was led astray in a sting operation perpetrated against it by a double agent acting as its stringer in Lome! “Fake news” wasn’t invented yesterday!

It was also at the Press Club that Geoffrey Bing’s successor, Bashiru Kwaw-Swanzy, announced that the Government would not accept the “dichotomous” judgement rendered by the Ghana High Court in which it acquitted Tawia Adamafio, Ako Adjei and others, of treason. Following that statement the Chief Justice, Sir Arku Korsah was sacked, alongside Mr Justice Edward Akufo-Addo (father of our current President) and Mr Justice W B Van Lare.

Yes – the Press Club was often the centre of earth-shaking activity in Ghana, and our Secretary, Henry Ofori, managed to accommodate it all.

By sheer force of his personality, Ofori even turn the so-called “Socialist Boys” whom everyone erected into cardboard figures to be feared and/or detested (Kofi Batsa, editor of the Spark) T. D. Baffoe (editor of The Ghanaian Times) Eric Heyman (Editor of The Evening News) into humans of flesh and blood who drank beer and ate kebabs with us.

Powerful “party media men”, such as the Minister of Defence, Mr Kofi Baako, regained their journalistic love of fun when they were with us. Such men as Yaw Eduful (Press Officer to President Kwame Nkrumah); Cecil Forde (Member of the Publicity Secretariat at Flagstaff House), Kojo Addison, Director of the Ideological Institute.

That did not deter journalists ostensibly “hostile” to the party in power from also frequenting the Press Club. One of these was Sam Arthur (former editor of the Ashanti Pioneer), who got on so well with his erstwhile political enemies that they appointed him the first Director of the Ghana Institute of Journalism.

Others who come readily to mind were Francis Awuku, E K Asilijo, Goodie Anim, K B Brown, Bob Okanta, Regina Addae, Akua Asabeah, Edith Wuver and Patience Carboo-Sumney.

Now, please remember that these were times when Preventive Detention was visited upon anyone suspected of being “subversive” (what an inelegant term!) Yet, we could argue, at our Club House, over almost everything. There was anger at times, and even threats of physical violence. But there were always people good people around to defuse tension and use laughter to prove that man is not made of argument alone.

Journalists today don’t seem to value the virtue of socialising. I go to the International Press Centre often, but there are many journalists I have never met face to face. Well, let me tell them that it was in T D Baffoe’s house that I first heard a record of Dusty Springfield and in Kofi Batsa’s house that I first heard a Beatles song. But if you read what we wrote, you’d think we were eternal antagonists!

TO BE CONTINUED

From Cameron Duodu

Cameron Duodu
Cameron Duodu, © 2019

Martin Cameron Duodu is a United Kingdom-based Ghanaian novelist, journalist, editor and broadcaster. After publishing a novel, The Gab Boys, in 1967, Duodu went on to a career as a journalist and editorialist.. More Martin Cameron Duodu (born 24 May 1937) is a United Kingdom-based Ghanaian novelist, journalist, editor and broadcaster. After publishing a novel, The Gab Boys, in 1967, Duodu went on to a career as a journalist and editorialist.

Education
Duodu was born in Asiakwa in eastern Ghana and educated at Kyebi Government Senior School and the Rapid Results College, London , through which he took his O-Level and A-Level examinations by correspondence course . He began writing while still at school, the first story he ever wrote ("Tough Guy In Town") being broadcast on the radio programme The Singing Net and subsequently included in Voices of Ghana , a 1958 anthology edited by Henry Swanzy that was "the first Ghanaian literary anthology of poems, stories, plays and essays".

Early career
Duodu was a student teacher in 1954, and worked on a general magazine called New Nation in Ghana, before going on to become a radio journalist for the Ghana Broadcasting Corporation from 1956 to 1960, becoming editor of radio news <8> (moonlighting by contributing short stories and poetry to The Singing Net and plays to the programme Ghana Theatre). <9> From 1960 to 1965 he was editor of the Ghana edition of the South African magazine Drum , <10> and in 1970 edited the Daily Graphic , <3> the biggest-selling newspaper in Ghana.< citation needed >

The Gab Boys (1967) and creative writing
In 1967, Duodu's novel The Gab Boys was published in London by André Deutsch . The "gab boys" of the title – so called because of their gabardine trousers – are the sharply dressed youths who hang about the village and are considered delinquent by their elders. The novel is the story of the adventures of one of them, who runs away from village life, eventually finding a new life in the Ghana capital of Accra . According to one recent critic, "Duodu simultaneously represents two currents in West African literature of the time, on the one hand the exploration of cultural conflict and political corruption in post-colonial African society associated with novelists and playwrights such as Chinua Achebe and Ama Ata Aidoo , and on the other hand the optimistic affirmation of African cultural strengths found in poets of the time such as David Diop and Frank Kobina Parkes . These themes come together in a very compassionate discussion of the way that individual people, rich and poor, are pushed to compromise themselves as they try to navigate a near-chaotic transitional society."

In June 2010 Duodu was a participant in the symposium Empire and Me: Personal Recollections of Imperialism in Reality and Imagination, held at Cumberland Lodge , alongside other speakers who included Diran Adebayo , Jake Arnott , Margaret Busby , Meira Chand , Michelle de Kretser , Nuruddin Farah , Jack Mapanje , Susheila Nasta , Jacob Ross , Marina Warner , and others.

Duodu also writes plays and poetry. His work was included in the anthology Messages: Poems from Ghana ( Heinemann Educational Books , 1970).

Other activities and journalism
Having worked as a correspondent for various publications in the decades since the 1960s, including The Observer , The Financial Times , The Sunday Times , United Press International , Reuters , De Volkskrant ( Amsterdam ), and The Economist , Duodu has been based in Britain as a freelance journalist since the 1980s. He has had stints with the magazines South and Index on Censorship , and has written regularly for outlets such as The Independent and The Guardian .

He is the author of the blog "Under the Neem Tree" in New African magazine (London), and has also published regular columns in The Mail and Guardian ( Johannesburg ) and City Press (Johannesburg), as well as writing a weekly column for the Ghanaian Times (Accra) for many years.< citation needed >

Duodu has appeared frequently as a contributor on BBC World TV and BBC World Service radio news programmes discussing African politics, economy and culture.

He contributed to the 2014 volume Essays in Honour of Wole Soyinka at 80, edited by Ivor Agyeman-Duah and Ogochukwu Promise.
Column: Cameron Duodu

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