body-container-line-1
Tue, 05 Jan 2010 Feature Article

Et Tu Brute? By Cameron Duodu

Et Tu Brute? By Cameron Duodu

The words above, attributed to the dying Julius Caesar by Shakespeare, must have haunted my friend Dennis Brutus, who died on 26 December 2009, aged 85, all his life.

I can see him, as a student, bearing the taunts of his mates, as they used every opportunity to let him know that they had read Shakespeare's play. Is there any group worse than a bunch of schoolboys bent on showing off to another? Especially -- as in this case -- the name “Brutus” was associated with treachery and betrayal?

Yet the likening of Dennis to his Shakespearan namesake was, in a physical sense, quite justified. You only had to meet Dennis Brutus and take in that sculptured head of his, with its shock of [latterly] white hair, and beard, plus his broad face -- always serene -- to realise that he carried something like a Roman noble's blood in him. Actually, it was French blood that was acknowledged in his family tree. As a “Coloured” or mixed race person in the South Africa of his childhood, all sorts of possibilities existed in his genes: the magnificent Dutch painters, for instance, (his middle name was Vincent, which could easily bring Vincent Van Gogh to mind).

But in his soul, he was jet black. Although the South African racists treated the “Coloureds” marginally better than the Blacks, Dennis was not interested in accepting a position that put him above the majority of his countrymen. At Fort Hare University, he saw with his own eyes that given the opportunity, every human being could equally well acquire the education and skills of modern life. And he fought, all the 85 years of his life to level the playing field for all his countrymen.

It was while he was teaching that he fully realised what a wasteful system apartheid -- or racial separation - was. The sport he most enjoyed was rugby -- more as a coach than player. His exposure to young talent, through their non-white competitions, enabled him to realised that the players officially lionised throughout the nation, were not quite the best available. They only appeared to be so good because they never competed against Black and Coloured players. No matter how good the latter were, they were not allowed by apartheid law, into the best and richest schools, colleges and clubs, where players were given facilities and the best technical coaching that enabled them to shine and be taken to the top of their sports, and ultimately, the singular honour of being selected for the South African national team. But even with their privileges, they were not as good as some of the Coloureds and Blacks. The case of Basil D'Oliveira, whom apartheid racism

Pursued all the way to Britain, is a case in point.

http://www.bbc.co.uk/bbcfour/documentaries/features/not-cricket.shtml

Another case in point is that of Makhaya Ntini, whose selection was at first by racists derided as a sop to “multi-racial sport” and yet went on to play 100 tests and take 390 Test wickets. And 266 ODI wickets.

.http://www.cricinfo.com/ci/content/player/46592.html

Now, white South Africans take their sports seriously indeed. Their rugby teams of the Dennis Brutus era were in regular contention for the top honours against teams from England, Wales, Scotland, Australia and New Zealand. International matches with these countries were something of a sporting festival each season. This “deification” of sport was also accorded to cricket and athletic. But rugby ruled supreme. Football (soccer) on the other hand, was largely relegated to the “townships” for the Blacks and Coloureds.

The anger aroused by seeing Black and Coloured players who were better than Whites, ignored by their nation, while inferior players were turned into rich, national heroes, so lionised that the ground on which they walked was worshipped -- and all because they happened to be White -- made Dennis determine steadfastly to devote his to doing something about the situation. He had read enough leftwing literature to understand that “organisation decides everything”, and so in 1959, he helped to form the “South African Sports Association” (S.A.P.A) and became its founding secretary.

The S.A.P.A. began by naively lobbying all-White sports clubs and organisations to change their practices voluntarily and accept S.A.P.A. for membership. But try as he would to make them see how unfair it was to turn down Black sportsmen for South Africa's international teams in favour of inferior Whites, they wouldn't budge. “It's against our country's laws“, they told Dennis and his fellow sportsmen.

The activities of the S.A.P.A were, of course, reported to the apartheid regime and in 1960-- the year in which 69 Africans were shot to death in Sharpeville while fleeing from the police -- Dennis was “banned”. This meant he could not be present with more than two other people at any one time.

But in 1962, he cleverly manoeuvred to escape the limitations imposed on him by his banning order and helped form a new group to challenge South Africa's official Olympic Committee. This organization was called “the South African Non-Racial Olympic Committee“ (San-Roc). Dennis became its president. It mounted an extremely effective campaign and persuaded Olympic committees from other countries to vote to suspend South Africa from the 1968 Olympics in Mexico. By 1970, the group had gathered enough votes from national Olympic committees, particularly those in Africa and Asia, to expel South Africa from the Olympic movement.

Dennis did not see all this success first-hand. In the course of his campaign work, he met with a Swiss journalist and others in 1963. The group had been followed and Dennis was sentenced to 18 months in prison for breaking his banning order. He decided, however, that his work made it necessary for him to go outside the country, and he jumped bail and fled to Swaziland. But he tried to go to Mozambique to find a flight to Europe (all flights to Europe from Swaziland had to stop in Johannesburg) and the Portuguese secret police caught him and returned him to the South Africans. Yipes!

In Johannesburg, he tried to escape, and was shot in the back by the police at point-blank range. After only partly recovering from the wound, Mr. Brutus was sent to Robben Island, where he was imprisoned for 16 months, five in solitary confinement. On his release he was ordered not to leave his home for five years. But after a year, he made a deal to emigrate to Britain on the condition he not return to South Africa. Ever!

Dennis told me in an interview in London in 1986 that he believed the South African police deliberately guarded him loosely, in Johannesburg, in order to tempt him to try and escape. He did try to escape, whereupon he was shot in the back by a policeman at point-blank range.

He didn't realise at first that he had ben shot. But as he ran, he felt weaker and weaker, and he saw blood dripping down his leg. When he fell down after running for a while, he was left to lie where he was -- just outside the Anglo-American Corporation building. The excuse given by the police was that all the ambulances nearby were for Whites and that they had to wait a long time for one meant for Blacks to arrive.

Brutus had only partly recovered from the wound when, as stated before, he was sent to Robben Island. He spent 16 months on the Island, , five of them in solitary confinement. His cell there was next to that of Nelson Mandela!

It was on his release that he was ordered not to leave his home for five years -- an order which helped him to make up his mind to leave the country. He left for Britain. The deal to emigrate, on the condition that he would never return to South Africa, was also offered to many other anti-apartheid activists, including Lewis Nkosi, Bloke Modisani, Iskia Mphahlele and others. The cruelty of the apartheid monsters does not bear thinking about.

After four years in Britain, Dennis Brutus moved to the United States, where he taught at Northwestern University and the University of Pittsburgh. In a highly publicized case, United States immigration authorities, on the orders of the Reagan Administration (which was in cahoots with threw apartheid regime) tried to deport Dennis in the early 1980's because he lacked “proper residence documents.”

His lawyer of the time, Ms Susan Gzesh of Chicago, Illinois, describes the situation as follows:

“It was not really the case that Brutus had trouble winning asylum in the US because the Reagan Administration changed the general policy on refugees. …The Reagan administration was, in fact, actively involved in politics behind the scenes, trying to get Brutus out of the US… Brutus won his case for asylum because the anti-apartheid movement was able to create a political climate in which it would have been impossible for the US government to deny that Brutus would have been persecuted had he been returned to South Africa.” The assassination of Ruth First by a bomb in Mozambique -- clearly the work of the apartheid regime's assassination squads in the Bureau of State security (BOSS) made it impossible for the Reagan Administration to deny that given his campaigning history, Brutus would be in mortal danger if deported back to South Africa.

Dennis Brutus was the author of 14 books, mainly of poetry. He was critical of South Africa's total embrace of capitalism under Mandela and Mbeki and remained deeply sceptical about racial attitudes in the country, long after apartheid had ostensibly ended. In 2007, when the South African Sport Hall of Fame sought to induct him, he refused, saying that the Hall was full of “heroes” who had achieved sporting fame only because no blacks were allowed to compete against them. Dennis said:

“To be inducted to a sports hall of fame is an honour under most circumstances. . . [But] I cannot be party to an event where unapologetic racists [who belong in a hall of infamy] are also honoured…. It is incompatible to have those who championed racist sport alongside its genuine victims.”

Dennis is survived by his wife, the former May Jaggers; two sisters; eight children; nine grandchildren; and four great-grandchildren.

Development / Accra / Ghana / Africa / Modernghana.com

Cameron Duodu
Cameron Duodu, © 2010

Martin Cameron Duodu is a United Kingdom-based Ghanaian novelist, journalist, editor and broadcaster. After publishing a novel, The Gab Boys, in 1967, Duodu went on to a career as a journalist and editorialist.. More Martin Cameron Duodu (born 24 May 1937) is a United Kingdom-based Ghanaian novelist, journalist, editor and broadcaster. After publishing a novel, The Gab Boys, in 1967, Duodu went on to a career as a journalist and editorialist.

Education
Duodu was born in Asiakwa in eastern Ghana and educated at Kyebi Government Senior School and the Rapid Results College, London , through which he took his O-Level and A-Level examinations by correspondence course . He began writing while still at school, the first story he ever wrote ("Tough Guy In Town") being broadcast on the radio programme The Singing Net and subsequently included in Voices of Ghana , a 1958 anthology edited by Henry Swanzy that was "the first Ghanaian literary anthology of poems, stories, plays and essays".

Early career
Duodu was a student teacher in 1954, and worked on a general magazine called New Nation in Ghana, before going on to become a radio journalist for the Ghana Broadcasting Corporation from 1956 to 1960, becoming editor of radio news <8> (moonlighting by contributing short stories and poetry to The Singing Net and plays to the programme Ghana Theatre). <9> From 1960 to 1965 he was editor of the Ghana edition of the South African magazine Drum , <10> and in 1970 edited the Daily Graphic , <3> the biggest-selling newspaper in Ghana.< citation needed >

The Gab Boys (1967) and creative writing
In 1967, Duodu's novel The Gab Boys was published in London by André Deutsch . The "gab boys" of the title – so called because of their gabardine trousers – are the sharply dressed youths who hang about the village and are considered delinquent by their elders. The novel is the story of the adventures of one of them, who runs away from village life, eventually finding a new life in the Ghana capital of Accra . According to one recent critic, "Duodu simultaneously represents two currents in West African literature of the time, on the one hand the exploration of cultural conflict and political corruption in post-colonial African society associated with novelists and playwrights such as Chinua Achebe and Ama Ata Aidoo , and on the other hand the optimistic affirmation of African cultural strengths found in poets of the time such as David Diop and Frank Kobina Parkes . These themes come together in a very compassionate discussion of the way that individual people, rich and poor, are pushed to compromise themselves as they try to navigate a near-chaotic transitional society."

In June 2010 Duodu was a participant in the symposium Empire and Me: Personal Recollections of Imperialism in Reality and Imagination, held at Cumberland Lodge , alongside other speakers who included Diran Adebayo , Jake Arnott , Margaret Busby , Meira Chand , Michelle de Kretser , Nuruddin Farah , Jack Mapanje , Susheila Nasta , Jacob Ross , Marina Warner , and others.

Duodu also writes plays and poetry. His work was included in the anthology Messages: Poems from Ghana ( Heinemann Educational Books , 1970).

Other activities and journalism
Having worked as a correspondent for various publications in the decades since the 1960s, including The Observer , The Financial Times , The Sunday Times , United Press International , Reuters , De Volkskrant ( Amsterdam ), and The Economist , Duodu has been based in Britain as a freelance journalist since the 1980s. He has had stints with the magazines South and Index on Censorship , and has written regularly for outlets such as The Independent and The Guardian .

He is the author of the blog "Under the Neem Tree" in New African magazine (London), and has also published regular columns in The Mail and Guardian ( Johannesburg ) and City Press (Johannesburg), as well as writing a weekly column for the Ghanaian Times (Accra) for many years.< citation needed >

Duodu has appeared frequently as a contributor on BBC World TV and BBC World Service radio news programmes discussing African politics, economy and culture.

He contributed to the 2014 volume Essays in Honour of Wole Soyinka at 80, edited by Ivor Agyeman-Duah and Ogochukwu Promise.
Column: Cameron Duodu

Disclaimer: "The views expressed in this article are the author’s own and do not necessarily reflect ModernGhana official position. ModernGhana will not be responsible or liable for any inaccurate or incorrect statements in the contributions or columns here." Follow our WhatsApp channel for meaningful stories picked for your day.

Do you support or oppose Parliament’s passage of the Anti‑LGBTQ+ Bill 2026?

Started: 30-05-2026 | Ends: 31-08-2026

body-container-line