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Sat, 15 Jan 2022 Feature Article

Adieu, Prof Kwasi Wiredu: ‘The Philosopher’s Philosopher’

Adieu, Prof Kwasi Wiredu: ‘The Philosopher’s Philosopher’

In the 1960s, whilst editing Drum Magazine, I travelled to Kumasi to interview one of the most popular guitarists in Ghana at the time, Kwabena Onyina.

Onyina’s music was distinct: he played the guitar and sang in tenor, which was strange enough, as the leading contemporary singers, including the immensely popular Kwabena Okai of EK’s Band (Akan Trio) tended to sing what was to a large extent, falsetto treble.

But it wasn’t his voice alone that made Onyina stand out. He had the knack of using stories drawn from everyday life, to make his point.

And the point? What was it? It was to encourage his listeners to adopt a philosophical approach to life and thereby comfort themselves enough to survive the grief which life was wont to throw in their path. For instance, while recounting the death of someone, he urged the survivors of the dead man not to cry too much, because death, whilst difficult to bear, did have some hidden “benefits” to bequeath us, such as leaving those left behind, a legacy or inheritance:

Mma ennsu bio Akwasi…

Ono na ogya yen sika

Ogya yen ntoma…”

[Cry no more Akwasi, for it’s death that leaves us money; cloth and other things of that nature.]

When I went to Onyina’s house in Kumasi to discuss his technique and other attributes, I was immensely impressed to find that the companion who was with him and sat through the interview was a young lecturer in philosophy at the University of Ghana, called Kwasi Wiredu. Wiredu was learning how to play the guitar at the feet of Onyina, and whilst studying with the master, he also exposed him to the work of great jazz guitarists like Kenny Burrell. That explained the unique complexity with which Onyina approached guitar playing. Wiredu, the philosopher apparently ensconced in the “ivory tower” of Legon, was responsible, in no small part, for the rich content of the music of Ghana’s most prominent guitar artist of the time.

The death of the philosopher, Kwasi Wiredu, was reported on Twitter on January 8, 2022 by his fellow scholar, Kwame Anthony Appiah, in these words:

QUOTE: Kwasi Wiredu, one of the greatest of African philosophers, has died at the age of 90. If you don’t know about him, you should. He was an unbelievably decent man; I know because he was my first departmental Chair. UNQUOTE

One of the other world-famous scholars who knew Wiredu best was his classmate and fellow student at Oxford University, Professor William Abraham. Abraham, the first African to be awarded a Prize Fellowship at Oxford (won by examination!) was a mate of Wiredu’s at Adisadel College, before they both went to Oxford.

An astonishingly affectionate speech given by William Abraham on Kwasi Wiredu, at Wiredu’s birthday, shows clearly that the two philosophers respected each other greatly. It is not often that one hears a Ghanaian who had achieved much in his field, speaking so admiringly of a fellow Ghanaian who is a practitioner of the same “trade”, so to speak:

QUOTE No one (Abraham revealed) has had a more decisive influence on my life, and that includes my own parents. I was undecided between English Literature and Mathematics when we entered College. I was very pleased with the literature classes that I was taking. Then one day, Kwasi accosted me. He asked whether I was aware that if I persisted with my present course of action, I would be apt to spend my old age writing poems about sunsets. That did not seem appealing, so I switched my attention to Mathematics…

“I was not prepared for what he had in mind. He invited me to sit in on his Logic and Ethics classes, which I did, much to my enjoyment. Not knowing how to keep my mouth shut as a guest, I attracted the attention of his teachers… When the time came to take the Qualifying Exams to pursue an Honours course, I could not break the teachers’ hearts and so I sat for the Philosophy exams instead of the Math exams. Kwasi had always known what he wanted to become: a philosopher. He became a philosopher’s philosopher, as Stuart Hampshire was to describe him in graduate school at Oxford.

Kwasi was leader of the group that collected around him. The group included Kwabena Tufuoh, who became a civil servant; Thomas Mensah, who became a distinguished lawyer; and S.K. Riley Poku, who later became Ghana’s Minister of Defence [in the Hilla Limann regime.] UNQUOTE

Prof William Abraham further described Prof Kwasi Wiredu as “truly, the mind of Africa.”

The former Pro-Vice Chancellor of the University of Ghana went on: “I do not know anyone, in person or by repute, whose thinking is as penetrating or as comprehensive. Early in his career, the subtlety and depth of his mind were compared to Edmund Husserl’s in a review of the best articles in the journal Mind. He is the only African named among the world’s greatest hundred philosophers.

Let it be also said that I personally never met a more upright person. If this man thought that a course of action would be wrong, he would be simply incapable of pursuing it. If you [had] him for a friend, you [had] a friend for life. I have never heard anyone, or heard of anyone, who had anything ill to say of him. He truly [was] a rare sort of human being, in both intellect and character.”

Please remember that these words were said when Prof Kwasi Wiredu was still alive!

By Cameron Duodu

Cameron Duodu
Cameron Duodu, © 2022

Martin Cameron Duodu is a United Kingdom-based Ghanaian novelist, journalist, editor and broadcaster. After publishing a novel, The Gab Boys, in 1967, Duodu went on to a career as a journalist and editorialist.. More Martin Cameron Duodu (born 24 May 1937) is a United Kingdom-based Ghanaian novelist, journalist, editor and broadcaster. After publishing a novel, The Gab Boys, in 1967, Duodu went on to a career as a journalist and editorialist.

Education
Duodu was born in Asiakwa in eastern Ghana and educated at Kyebi Government Senior School and the Rapid Results College, London , through which he took his O-Level and A-Level examinations by correspondence course . He began writing while still at school, the first story he ever wrote ("Tough Guy In Town") being broadcast on the radio programme The Singing Net and subsequently included in Voices of Ghana , a 1958 anthology edited by Henry Swanzy that was "the first Ghanaian literary anthology of poems, stories, plays and essays".

Early career
Duodu was a student teacher in 1954, and worked on a general magazine called New Nation in Ghana, before going on to become a radio journalist for the Ghana Broadcasting Corporation from 1956 to 1960, becoming editor of radio news <8> (moonlighting by contributing short stories and poetry to The Singing Net and plays to the programme Ghana Theatre). <9> From 1960 to 1965 he was editor of the Ghana edition of the South African magazine Drum , <10> and in 1970 edited the Daily Graphic , <3> the biggest-selling newspaper in Ghana.< citation needed >

The Gab Boys (1967) and creative writing
In 1967, Duodu's novel The Gab Boys was published in London by André Deutsch . The "gab boys" of the title – so called because of their gabardine trousers – are the sharply dressed youths who hang about the village and are considered delinquent by their elders. The novel is the story of the adventures of one of them, who runs away from village life, eventually finding a new life in the Ghana capital of Accra . According to one recent critic, "Duodu simultaneously represents two currents in West African literature of the time, on the one hand the exploration of cultural conflict and political corruption in post-colonial African society associated with novelists and playwrights such as Chinua Achebe and Ama Ata Aidoo , and on the other hand the optimistic affirmation of African cultural strengths found in poets of the time such as David Diop and Frank Kobina Parkes . These themes come together in a very compassionate discussion of the way that individual people, rich and poor, are pushed to compromise themselves as they try to navigate a near-chaotic transitional society."

In June 2010 Duodu was a participant in the symposium Empire and Me: Personal Recollections of Imperialism in Reality and Imagination, held at Cumberland Lodge , alongside other speakers who included Diran Adebayo , Jake Arnott , Margaret Busby , Meira Chand , Michelle de Kretser , Nuruddin Farah , Jack Mapanje , Susheila Nasta , Jacob Ross , Marina Warner , and others.

Duodu also writes plays and poetry. His work was included in the anthology Messages: Poems from Ghana ( Heinemann Educational Books , 1970).

Other activities and journalism
Having worked as a correspondent for various publications in the decades since the 1960s, including The Observer , The Financial Times , The Sunday Times , United Press International , Reuters , De Volkskrant ( Amsterdam ), and The Economist , Duodu has been based in Britain as a freelance journalist since the 1980s. He has had stints with the magazines South and Index on Censorship , and has written regularly for outlets such as The Independent and The Guardian .

He is the author of the blog "Under the Neem Tree" in New African magazine (London), and has also published regular columns in The Mail and Guardian ( Johannesburg ) and City Press (Johannesburg), as well as writing a weekly column for the Ghanaian Times (Accra) for many years.< citation needed >

Duodu has appeared frequently as a contributor on BBC World TV and BBC World Service radio news programmes discussing African politics, economy and culture.

He contributed to the 2014 volume Essays in Honour of Wole Soyinka at 80, edited by Ivor Agyeman-Duah and Ogochukwu Promise.
Column: Cameron Duodu

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