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Sat, 07 Oct 2017 Feature Article

Obituary: Prof J R Anquandah, Archaeologist & A "complete Historian"

Professor James AnquandahProfessor James Anquandah

One cannot be a good historian without making use of information

gathered from beneath the habitats of modern peoples by archaeologists.

These buried sources of information provide incontrovertible evidence of how men lived and died thousands or hundreds of years ago. They are scientifically verifiable, unlike many of the “words” that constitute the bulk of historical source material. For instance, documents can turn out to be forgeries or mistranslations of the original. Archaeological material, on the other hand, can be carbon-dated to remove all doubts about its authenticity.

Now, while one cannot be an archaeologist without also being a historian, one need not be an archaeologist to be a historian! (I suspect, therefore, that there must be a small element of 'tension' in relations between practitioners of the two professions. Professor James Anquandah, formerly of the Department of Archaeology, University of Ghana, would have loved to enlighten me on this odd relationship, for he had a very wicked sense of humour.

But alas, I won't be hearing from Jimmy about this academic “love-hate” relationship – for he's just passed, aged 79, leaving behind, his wife, Susan (with whom he had two children, one of whom predeceased him.)

Prof Anquandah's sad death occurred on 7 September 2017. He was buried, after a moving church service at Trinity United Church in Accra, on 7 October 2017.

Susan was married to Jimmy for some fifty years – I knew both of them at the very beginning of their love affair, and I cannot but wonder at the miracle that enabled their marriage to survive, in an age when other marriages were breaking down left and right around them.

It says much for the sweet nature of both man and wife that they stayed together for so long and thus became a by-word for love, trust and loyalty in marriage. How many of us can even imagine being blessed with such a relationship, let alone actually obtaining a partner who would enable one to experience such an unflinching togetherness?

The late 1950s, during which time I came across James Anquandah, were years of unabashed ambition -- and subsequent high achievement -- for many Ghanaians in our age group. I was 20 years old while Jimmy was 19, when we both gained employment at the Ghana Broadcasting System. I became a Reporter in the News Division in 1957 while Jimmy was appointed a Programmes Officer.(He was to return to GBC as a Senior TV Producer in the late 1970s).

The Ghana Broadcasting System, under its ex-BBC Director-General, James Millar, aspired towards quality, and so many bright young men and women were employed there – usually on vacation jobs or straight from secondary school after qualification, some to leave very soon for Universities either at home or abroad.

So while working at the GBS, I found myself meeting extremely interesting people, some of whom became lifelong friends. Two of the most vivacious were ex-Achimotans and I was so impressed with their intelligence that I courted their company assiduously.

One was the renowned novelist, Ayi Kwei Armah (who was employed as a radio News Reader) and the other was James Anquandah, who worked in “Programmes”.

From the very first day I met him, I found Anquandah to be extremely lovable. Small in stature but possessed of a huge intellect, he also seemed to ooze goodness of heart from behind the thick lenses of the glasses that he always wore. His smile was as broad as anything and I cannot say that I ever saw him angry, even though our discussions encompassed a lot of subjects from which much nonsense could – necessarily – not be divorced.

Anquandah would smile broadly, whilst demolishing one's argument with detached precision. It was a joy to be in his company and I relished being with him.

However, all too soon, the bright ex-Achimotans left me at the Ghana Broadcasting System, while they journeyed on in their quest for more knowledge. Jimmy Anquandah left for the University of Ghana, Legon, while Ayi Kwei Armah left for the US. I felt as if part of me had been cut off.

At the University of Ghana, Anquandah chose a field of study that was somewhat esoteric at both the University and Ghana at the time – Archaeology. Many thought his choice strange, for we imagined that archaeology involved nothing but hours of back-breaking digging. We didn't know about the sheer joy of having confirmed for one, the vague suspicions one had harboured about an ancient settlement that had existed at a particular site. Nor could we imagine the aesthetic pleasure to be derived from the handling of an ancient work of art just rescued from the obscurity in which it had lain for ages.

I still remember how excited Jimmy was to absorb the unusual knowledge he gleaned from experts about things buried under the soil of Ghana and elsewhere, that told the story of our ancestors more eloquently than the mere exposition of history through words cud do. He had some excellent lecturers over whose teaching he enthused. One name that was always on his lips was that of the pioneering head of the Archaeology Department at Legon, Dr Peter Shinnie.

Whilst Jimmy was at Legon, he introduced me to a number of his mates -- young brilliant students, whose hard work and ambition were to help them make a name for themselves in later life: one was Annan Cato (former Ghana High Commissioner to the UK and Secretary to the Cabinet); another was Chris Hesse (former Ghana High Commissioner to Zimbabwe); and a third was Joe Edusei (also an ex-diplomat).

Jimmy and I used to joyously yell: “SOT!” – very loudly indeed! – at each other, whenever we met. This naturally attracted notice everywhere and others soon joined in, so that we became a sort of “Sot” club! Even today, members of the group are wont to greet me with the sobriquet, no matter what exalted company we happen to be in.

James Robert Kwesi (JR!) Anquandah was born in Accra on 10 April 1938. He was fathered by a very nice and extremely humble teacher who, the first time Jimmy took me to see him, made me feel like a renowned film star, just because he had heard a story of mine broadcast on the radio. The elder Anquandah, it turned out, was an avid reader and an ardent listener to the radio. Jimmy no doubt owed his great sense of curiosity and his utter devotion to his calling, to this teacher father of his, who would never rest until very pupil under him fully understood what he had tried to teach him or her.

(To be continued)

Cameron Duodu
Cameron Duodu, © 2017

Martin Cameron Duodu is a United Kingdom-based Ghanaian novelist, journalist, editor and broadcaster. After publishing a novel, The Gab Boys, in 1967, Duodu went on to a career as a journalist and editorialist.. More Martin Cameron Duodu (born 24 May 1937) is a United Kingdom-based Ghanaian novelist, journalist, editor and broadcaster. After publishing a novel, The Gab Boys, in 1967, Duodu went on to a career as a journalist and editorialist.

Education
Duodu was born in Asiakwa in eastern Ghana and educated at Kyebi Government Senior School and the Rapid Results College, London , through which he took his O-Level and A-Level examinations by correspondence course . He began writing while still at school, the first story he ever wrote ("Tough Guy In Town") being broadcast on the radio programme The Singing Net and subsequently included in Voices of Ghana , a 1958 anthology edited by Henry Swanzy that was "the first Ghanaian literary anthology of poems, stories, plays and essays".

Early career
Duodu was a student teacher in 1954, and worked on a general magazine called New Nation in Ghana, before going on to become a radio journalist for the Ghana Broadcasting Corporation from 1956 to 1960, becoming editor of radio news <8> (moonlighting by contributing short stories and poetry to The Singing Net and plays to the programme Ghana Theatre). <9> From 1960 to 1965 he was editor of the Ghana edition of the South African magazine Drum , <10> and in 1970 edited the Daily Graphic , <3> the biggest-selling newspaper in Ghana.< citation needed >

The Gab Boys (1967) and creative writing
In 1967, Duodu's novel The Gab Boys was published in London by André Deutsch . The "gab boys" of the title – so called because of their gabardine trousers – are the sharply dressed youths who hang about the village and are considered delinquent by their elders. The novel is the story of the adventures of one of them, who runs away from village life, eventually finding a new life in the Ghana capital of Accra . According to one recent critic, "Duodu simultaneously represents two currents in West African literature of the time, on the one hand the exploration of cultural conflict and political corruption in post-colonial African society associated with novelists and playwrights such as Chinua Achebe and Ama Ata Aidoo , and on the other hand the optimistic affirmation of African cultural strengths found in poets of the time such as David Diop and Frank Kobina Parkes . These themes come together in a very compassionate discussion of the way that individual people, rich and poor, are pushed to compromise themselves as they try to navigate a near-chaotic transitional society."

In June 2010 Duodu was a participant in the symposium Empire and Me: Personal Recollections of Imperialism in Reality and Imagination, held at Cumberland Lodge , alongside other speakers who included Diran Adebayo , Jake Arnott , Margaret Busby , Meira Chand , Michelle de Kretser , Nuruddin Farah , Jack Mapanje , Susheila Nasta , Jacob Ross , Marina Warner , and others.

Duodu also writes plays and poetry. His work was included in the anthology Messages: Poems from Ghana ( Heinemann Educational Books , 1970).

Other activities and journalism
Having worked as a correspondent for various publications in the decades since the 1960s, including The Observer , The Financial Times , The Sunday Times , United Press International , Reuters , De Volkskrant ( Amsterdam ), and The Economist , Duodu has been based in Britain as a freelance journalist since the 1980s. He has had stints with the magazines South and Index on Censorship , and has written regularly for outlets such as The Independent and The Guardian .

He is the author of the blog "Under the Neem Tree" in New African magazine (London), and has also published regular columns in The Mail and Guardian ( Johannesburg ) and City Press (Johannesburg), as well as writing a weekly column for the Ghanaian Times (Accra) for many years.< citation needed >

Duodu has appeared frequently as a contributor on BBC World TV and BBC World Service radio news programmes discussing African politics, economy and culture.

He contributed to the 2014 volume Essays in Honour of Wole Soyinka at 80, edited by Ivor Agyeman-Duah and Ogochukwu Promise.
Column: Cameron Duodu

Disclaimer: "The views expressed in this article are the author’s own and do not necessarily reflect ModernGhana official position. ModernGhana will not be responsible or liable for any inaccurate or incorrect statements in the contributions or columns here." Follow our WhatsApp channel for meaningful stories picked for your day.

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