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Sun, 27 Sep 2026 Feature Article

Where are our PROOF READERS? - Part 3

Where are our PROOF READERS? - Part 3

As I draw the curtain over my homely on the crucial role good Proof Readers play in media operations, I feel I would have short-changed my readers if I did not relate the most dramatic example of proof-reading failure that I've come across in my 7 decades of pen pushing.

Once upon a time, the ruling political party of Ghana owned its own paper. The paper was called The Evening News, a name it had inherited from the organ used by the leader of the ruling g party, when he was mobilising the Ghanaian populace

against British colonial rule in the late 1940s. The paper had sold like hot cakes all over the country, following the 1948 shootings of ex-servicemen. Predictably, the Gold Coast police often raided its premises and seized newly printed copies Many of its regular news vendors were arrested and intimidated. But the paper did not fold.

Indeed, to the rural dwellers of Ghana, obtaining a copy of the Evening News was like winning the football pools. Our Standard Two teacher at Asiakwa Presby got his copies all the way from Koforidua and read stories from secretly to us after the bell had rung to close classes!

We were in heaven at those secret sessions. The head teacher often came to watch us when we were kept in alleged "detention" by the teacher, who was witty enough to pretend that he was teaching us "civics" to make us more "responsible citizens". How we laughed when the pangs of hunger pulled the head teacher away from our classroom!

I am afraid the Evening News of the post-independence days was as different from its predecessor as chalk is from dirty clay. The paper was completely taken over by praise-sin gers who thought that the deeds of the leader of the country were not acknowledged enough by the "flock" he had rescued from the sheep pens of the British and thus needed to be reminded of the deeds almost daily with Epistles addressed to "His High Dedication"!

Well, one day, one of these praise effusions was made the lead story on the front page of the paper with a headline in huge 144 font. Unfortunately for the Editor, the proof-reading had either been poor or absent altogether, for the headline read:

"THE IMMORAL" followed by the leader's name!

Of course the intended headline was : "THE IMMORtAL"!

Was the mistake the making of the "printer's devil" at work or was it the product of a defective type-setting machine?

Human error or deliberate act of sabotage?
Whether the mystery was ever solved is not known to me. All I know is that there is something called KARMA which sometimes strikes at humanity, when humanity is not looking!

www.cameronduodu.com

Cameron Duodu
Cameron Duodu, © 2026

Martin Cameron Duodu is a United Kingdom-based Ghanaian novelist, journalist, editor and broadcaster. After publishing a novel, The Gab Boys, in 1967, Duodu went on to a career as a journalist and editorialist.. More Martin Cameron Duodu (born 24 May 1937) is a United Kingdom-based Ghanaian novelist, journalist, editor and broadcaster. After publishing a novel, The Gab Boys, in 1967, Duodu went on to a career as a journalist and editorialist.

Education
Duodu was born in Asiakwa in eastern Ghana and educated at Kyebi Government Senior School and the Rapid Results College, London , through which he took his O-Level and A-Level examinations by correspondence course . He began writing while still at school, the first story he ever wrote ("Tough Guy In Town") being broadcast on the radio programme The Singing Net and subsequently included in Voices of Ghana , a 1958 anthology edited by Henry Swanzy that was "the first Ghanaian literary anthology of poems, stories, plays and essays".

Early career
Duodu was a student teacher in 1954, and worked on a general magazine called New Nation in Ghana, before going on to become a radio journalist for the Ghana Broadcasting Corporation from 1956 to 1960, becoming editor of radio news <8> (moonlighting by contributing short stories and poetry to The Singing Net and plays to the programme Ghana Theatre). <9> From 1960 to 1965 he was editor of the Ghana edition of the South African magazine Drum , <10> and in 1970 edited the Daily Graphic , <3> the biggest-selling newspaper in Ghana.< citation needed >

The Gab Boys (1967) and creative writing
In 1967, Duodu's novel The Gab Boys was published in London by André Deutsch . The "gab boys" of the title – so called because of their gabardine trousers – are the sharply dressed youths who hang about the village and are considered delinquent by their elders. The novel is the story of the adventures of one of them, who runs away from village life, eventually finding a new life in the Ghana capital of Accra . According to one recent critic, "Duodu simultaneously represents two currents in West African literature of the time, on the one hand the exploration of cultural conflict and political corruption in post-colonial African society associated with novelists and playwrights such as Chinua Achebe and Ama Ata Aidoo , and on the other hand the optimistic affirmation of African cultural strengths found in poets of the time such as David Diop and Frank Kobina Parkes . These themes come together in a very compassionate discussion of the way that individual people, rich and poor, are pushed to compromise themselves as they try to navigate a near-chaotic transitional society."

In June 2010 Duodu was a participant in the symposium Empire and Me: Personal Recollections of Imperialism in Reality and Imagination, held at Cumberland Lodge , alongside other speakers who included Diran Adebayo , Jake Arnott , Margaret Busby , Meira Chand , Michelle de Kretser , Nuruddin Farah , Jack Mapanje , Susheila Nasta , Jacob Ross , Marina Warner , and others.

Duodu also writes plays and poetry. His work was included in the anthology Messages: Poems from Ghana ( Heinemann Educational Books , 1970).

Other activities and journalism
Having worked as a correspondent for various publications in the decades since the 1960s, including The Observer , The Financial Times , The Sunday Times , United Press International , Reuters , De Volkskrant ( Amsterdam ), and The Economist , Duodu has been based in Britain as a freelance journalist since the 1980s. He has had stints with the magazines South and Index on Censorship , and has written regularly for outlets such as The Independent and The Guardian .

He is the author of the blog "Under the Neem Tree" in New African magazine (London), and has also published regular columns in The Mail and Guardian ( Johannesburg ) and City Press (Johannesburg), as well as writing a weekly column for the Ghanaian Times (Accra) for many years.< citation needed >

Duodu has appeared frequently as a contributor on BBC World TV and BBC World Service radio news programmes discussing African politics, economy and culture.

He contributed to the 2014 volume Essays in Honour of Wole Soyinka at 80, edited by Ivor Agyeman-Duah and Ogochukwu Promise.
Column: Cameron Duodu

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