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Wed, 23 Sep 2026 Feature Article

Where are our PROOF READERS?

Where are our PROOF READERS?

Once, you couldn’t get a false statement into the media. Sharp‑eyed editors would spot it if the proofreader(s) didn’t.

I learnt from a very early age that proofreading was one of the most important jobs in the media. A newspaper editor I knew would go to “stone” every now and then, indelible pencil in his hair. He would pull off “wet” copies of “matter,” read them, and sign them off. Even so, the chief proofreader would also read the “matter.” Between them, errors caused by bad setting or typing would have a hard time staying in the edition.

Nowadays, spell‑check systems encourage news people to be lazy. Yet the systems are man‑made and therefore capable of making mistakes. Certainly, the human eye should check what a human‑created algorithm comes up with! But alas, lazy, so‑called professionals keep leaving “literals” or errors in the media to confuse consumers.

There is nothing worse than seeing one’s own name appear in a false media report, as I found out to my cost the other day. Someone called Jefferson Sackey, whose name I have never come across in my 70 years in journalism, has apparently achieved so much fame that he has published a memoir of his attainments. Unfortunately, he mentioned my name as one of the journos with whom he jostled for fame! But having been so kind as to acknowledge my existence as a contemporary, he cruelly killed me off by inserting one fatal word before my name! And the Asaase Radio website, where a review of Mr Sackey’s memoir was published, left the fatal word in unchanged.

Did Mr Sackey check his facts before he sent his memoir to his publisher? I don’t know. Did the book’s editor check the facts in the book? Did the Asaase Radio website check the facts in the article before publishing it?

Well, I firmly refuse to be killed off. Mr Sackey and his accomplices should note! Only Allah can do that job. And by His Mercy, He hasn’t penned my name down yet!

So there, Sackey et al.

By the way, Mark Twain is among a large group of celebrities who have lived to see their demise allegedly occur before it actually did!

Who can forget Mark Twain’s opening words in his book Tom Sawyer?

QUOTE: “Tom!”

No answer!

Long live good writing.

Cameron Duodu
Cameron Duodu, © 2026

Martin Cameron Duodu is a United Kingdom-based Ghanaian novelist, journalist, editor and broadcaster. After publishing a novel, The Gab Boys, in 1967, Duodu went on to a career as a journalist and editorialist.. More Martin Cameron Duodu (born 24 May 1937) is a United Kingdom-based Ghanaian novelist, journalist, editor and broadcaster. After publishing a novel, The Gab Boys, in 1967, Duodu went on to a career as a journalist and editorialist.

Education
Duodu was born in Asiakwa in eastern Ghana and educated at Kyebi Government Senior School and the Rapid Results College, London , through which he took his O-Level and A-Level examinations by correspondence course . He began writing while still at school, the first story he ever wrote ("Tough Guy In Town") being broadcast on the radio programme The Singing Net and subsequently included in Voices of Ghana , a 1958 anthology edited by Henry Swanzy that was "the first Ghanaian literary anthology of poems, stories, plays and essays".

Early career
Duodu was a student teacher in 1954, and worked on a general magazine called New Nation in Ghana, before going on to become a radio journalist for the Ghana Broadcasting Corporation from 1956 to 1960, becoming editor of radio news <8> (moonlighting by contributing short stories and poetry to The Singing Net and plays to the programme Ghana Theatre). <9> From 1960 to 1965 he was editor of the Ghana edition of the South African magazine Drum , <10> and in 1970 edited the Daily Graphic , <3> the biggest-selling newspaper in Ghana.< citation needed >

The Gab Boys (1967) and creative writing
In 1967, Duodu's novel The Gab Boys was published in London by André Deutsch . The "gab boys" of the title – so called because of their gabardine trousers – are the sharply dressed youths who hang about the village and are considered delinquent by their elders. The novel is the story of the adventures of one of them, who runs away from village life, eventually finding a new life in the Ghana capital of Accra . According to one recent critic, "Duodu simultaneously represents two currents in West African literature of the time, on the one hand the exploration of cultural conflict and political corruption in post-colonial African society associated with novelists and playwrights such as Chinua Achebe and Ama Ata Aidoo , and on the other hand the optimistic affirmation of African cultural strengths found in poets of the time such as David Diop and Frank Kobina Parkes . These themes come together in a very compassionate discussion of the way that individual people, rich and poor, are pushed to compromise themselves as they try to navigate a near-chaotic transitional society."

In June 2010 Duodu was a participant in the symposium Empire and Me: Personal Recollections of Imperialism in Reality and Imagination, held at Cumberland Lodge , alongside other speakers who included Diran Adebayo , Jake Arnott , Margaret Busby , Meira Chand , Michelle de Kretser , Nuruddin Farah , Jack Mapanje , Susheila Nasta , Jacob Ross , Marina Warner , and others.

Duodu also writes plays and poetry. His work was included in the anthology Messages: Poems from Ghana ( Heinemann Educational Books , 1970).

Other activities and journalism
Having worked as a correspondent for various publications in the decades since the 1960s, including The Observer , The Financial Times , The Sunday Times , United Press International , Reuters , De Volkskrant ( Amsterdam ), and The Economist , Duodu has been based in Britain as a freelance journalist since the 1980s. He has had stints with the magazines South and Index on Censorship , and has written regularly for outlets such as The Independent and The Guardian .

He is the author of the blog "Under the Neem Tree" in New African magazine (London), and has also published regular columns in The Mail and Guardian ( Johannesburg ) and City Press (Johannesburg), as well as writing a weekly column for the Ghanaian Times (Accra) for many years.< citation needed >

Duodu has appeared frequently as a contributor on BBC World TV and BBC World Service radio news programmes discussing African politics, economy and culture.

He contributed to the 2014 volume Essays in Honour of Wole Soyinka at 80, edited by Ivor Agyeman-Duah and Ogochukwu Promise.
Column: Cameron Duodu

Disclaimer: "The views expressed in this article are the author’s own and do not necessarily reflect ModernGhana official position. ModernGhana will not be responsible or liable for any inaccurate or incorrect statements in the contributions or columns here." Follow our WhatsApp channel for meaningful stories picked for your day.

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