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Tue, 29 Oct 2024 Feature Article

America On Show To A Peripatetic Ghanaian Scribe

America On Show To A Peripatetic Ghanaian Scribe

Don’t worry, if you don’t know the meaning of “peripatetic”.

I didn’t know either.
Until I became – “peripatetic”!

I first encountered the word when I visited the United States in 1968. I had been invited to participate in a “Foreign Journalists Programme”

that took place annually at the University of Indiana (Bloomington). It was the autumn of 1968 and an election campaign was in full blast.

Indiana in autumn (or what the Americans call ‘The Fall’) was a magnificent sight to behold. Bloomington was close to a vast forest, and as one drove a few miles away from the University, one encountered the most amazing colours in the foliage of the trees that stood close to the roadside. And beyond...and far yonder.

The scene under the skyline was like the deliberate creation of a very good human artist, not a beauteous tapestry accidentally woven by Mother Nature and intentionally streched out over the vast landscape.

One could discern leaves that were in the process of changing colour: from green to a kaleidoscope of other colours – golden brown, interspersed with purple and/or lilac; a golden sheen shining through shades of red! Just beautiful beyond words.

As someone born and bred in a green “rain forest”, known in Ghana as Kwaebibirem, I’d always thought myself blessed to have been exposed to the beauty of luxuriant vegetation from a young age. Indeed, I would have laughed at anyone who told me I would ever be “envious”of the beauty emanating from a forest situated somewhere else in the world. But, then, I went to Indiana, and at the best time of year to be compulsorily robbed of long-held illusions.

Kwaebibirem was the only forest that could offer superlative foliage to the appreciative eye?

I was taught to "wait small" before engaging in boasting. I just had to become humbler.

Mottos penned on the signboards of Ghanaian passenger lorries rhat I had forgotten now ran through my mind: “Dade bi twa dade bim’ [iron pass iron!]; “travel and see!”; “aboa bi akum King Kong”![Some worse monster has laid King Kong low!] Etc.

One of the superb opportunities provided by the journalists’ programme of which I was a participant, was that it enabled one tp go and work on an American newspaper for a month or two. And before I left Accra, a friend at the information section of the US embassy recommended to me, a newspaper in Palo Alto, California. He said I’d just love Palo Alto.

But in the US, the Director of the programme, suggested that I go, instead, to Louisville, Kentucky – to work with the prestigious Louisville Courier-Journal.

He told me that when I got to the paper, I should go and see “the peripatetic Assistant to the Executive Editor, a guy called John Herchenroeder.”

That left me with two problems: to my shame, I didn’t know what “peripatetic`’ meant, and I also didn’t know how to spell “Herchenroeder!”. But I wasn’t going to let down African journalists by admitting to an American organiser of an international journalists programme that there was anything in the world I didn’t know!

However, there was no Google in those days! So I had to wait until I was able to go to a library to look up “peripatetic” in a dictionary.

And there it was: “travelling often, from place to place.”

Oh, so Mr Herchenroeder didn’t stay at one place whilst working for the paper? Suppose he wasn’t around when I got to Louisville?

Fortunately for me, he WAS at post when I arrived at the Courier-Journal.

As for that hard-to-pronounce name of his, no sooner had I begun to try and pronounce it than the receptionist took over and finished the job for me. Obviously, his name was a well-known slayer of tongues at the paper! And so it should have been, for lhe’d been acting as the paper’s pointman who dealt with readers’ complaints – a position that was later formalised and was to cement his name into history as America’s first “Newspaper Ombudsman” (who arbitrated settlements of complaints between the newspaper and its readers).

I found Mr Hercheroeder at his desk, and he was a very big man, with a personality that was immensely friendly and welcoming.

He promptly arranged for me to attend a very important function to be addressed by the wife of Mr Hubert Humphrey, the Democratic Party's presidential candidate. At the gate I told the security boss that I had been sent by the Courier-Journal.

The man asked me: "Who at the Courier-Journal"?

I replied: "Mr Herchenroeder!"
He let me in. I heard him mutter: "Anyone who can utter that name without batting an eyelid must be authentic!"

Yeah -- America in election year can be fun. I don't think even Trump can ruin the current election, try though he might! Good luck to God's own country!

Cameron Duodu
Cameron Duodu, © 2024

Martin Cameron Duodu is a United Kingdom-based Ghanaian novelist, journalist, editor and broadcaster. After publishing a novel, The Gab Boys, in 1967, Duodu went on to a career as a journalist and editorialist.. More Martin Cameron Duodu (born 24 May 1937) is a United Kingdom-based Ghanaian novelist, journalist, editor and broadcaster. After publishing a novel, The Gab Boys, in 1967, Duodu went on to a career as a journalist and editorialist.

Education
Duodu was born in Asiakwa in eastern Ghana and educated at Kyebi Government Senior School and the Rapid Results College, London , through which he took his O-Level and A-Level examinations by correspondence course . He began writing while still at school, the first story he ever wrote ("Tough Guy In Town") being broadcast on the radio programme The Singing Net and subsequently included in Voices of Ghana , a 1958 anthology edited by Henry Swanzy that was "the first Ghanaian literary anthology of poems, stories, plays and essays".

Early career
Duodu was a student teacher in 1954, and worked on a general magazine called New Nation in Ghana, before going on to become a radio journalist for the Ghana Broadcasting Corporation from 1956 to 1960, becoming editor of radio news <8> (moonlighting by contributing short stories and poetry to The Singing Net and plays to the programme Ghana Theatre). <9> From 1960 to 1965 he was editor of the Ghana edition of the South African magazine Drum , <10> and in 1970 edited the Daily Graphic , <3> the biggest-selling newspaper in Ghana.< citation needed >

The Gab Boys (1967) and creative writing
In 1967, Duodu's novel The Gab Boys was published in London by André Deutsch . The "gab boys" of the title – so called because of their gabardine trousers – are the sharply dressed youths who hang about the village and are considered delinquent by their elders. The novel is the story of the adventures of one of them, who runs away from village life, eventually finding a new life in the Ghana capital of Accra . According to one recent critic, "Duodu simultaneously represents two currents in West African literature of the time, on the one hand the exploration of cultural conflict and political corruption in post-colonial African society associated with novelists and playwrights such as Chinua Achebe and Ama Ata Aidoo , and on the other hand the optimistic affirmation of African cultural strengths found in poets of the time such as David Diop and Frank Kobina Parkes . These themes come together in a very compassionate discussion of the way that individual people, rich and poor, are pushed to compromise themselves as they try to navigate a near-chaotic transitional society."

In June 2010 Duodu was a participant in the symposium Empire and Me: Personal Recollections of Imperialism in Reality and Imagination, held at Cumberland Lodge , alongside other speakers who included Diran Adebayo , Jake Arnott , Margaret Busby , Meira Chand , Michelle de Kretser , Nuruddin Farah , Jack Mapanje , Susheila Nasta , Jacob Ross , Marina Warner , and others.

Duodu also writes plays and poetry. His work was included in the anthology Messages: Poems from Ghana ( Heinemann Educational Books , 1970).

Other activities and journalism
Having worked as a correspondent for various publications in the decades since the 1960s, including The Observer , The Financial Times , The Sunday Times , United Press International , Reuters , De Volkskrant ( Amsterdam ), and The Economist , Duodu has been based in Britain as a freelance journalist since the 1980s. He has had stints with the magazines South and Index on Censorship , and has written regularly for outlets such as The Independent and The Guardian .

He is the author of the blog "Under the Neem Tree" in New African magazine (London), and has also published regular columns in The Mail and Guardian ( Johannesburg ) and City Press (Johannesburg), as well as writing a weekly column for the Ghanaian Times (Accra) for many years.< citation needed >

Duodu has appeared frequently as a contributor on BBC World TV and BBC World Service radio news programmes discussing African politics, economy and culture.

He contributed to the 2014 volume Essays in Honour of Wole Soyinka at 80, edited by Ivor Agyeman-Duah and Ogochukwu Promise.
Column: Cameron Duodu

Disclaimer: "The views expressed in this article are the author’s own and do not necessarily reflect ModernGhana official position. ModernGhana will not be responsible or liable for any inaccurate or incorrect statements in the contributions or columns here." Follow our WhatsApp channel for meaningful stories picked for your day.

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