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The Nation Has Spoken Up! --Against Galamsey!

Feature Article The Nation Has Spoken Up! --Against Galamsey!
TUE, 17 SEP 2024

IT would be an exhibition of false modesty were I to fail to acknowledge that the Asantehene, Otumfoↄ Ↄsἑe Tutu The Second, sent a very warm glow through my being when, at a meeting with the Asante House of Chiefs on 15 December, 2022, he mentioned me by name and said he agreed with something I had written in one of my numerous articles about galamsey. (Please Google Youtube for the full report).

I was encouraged that the Asantehene, unlike some other influential people in Ghana, had not chosen to “see no evil, hear no evil and speak no evil” against galamsey. Since it's been almost two years since the Otumfoↄ spoke, it might be sagacious to remind my readers of what he said, which was that:

QUOTE: [Yours Truly] “a seasoned journalist who writes articles in the newspapers--- he said in one of his articles that he was surprised to hear that some Nananom [Chiefs] had said that they had ‘no power’ to stop galamsey.

“When I read it, I said, what he says is true, because if you, the chief, who has been given land to take care of, (say at Bekwai or Mampong) – you who now looks after all that land –if someone has come to that land and is doing galamsey on it, and you haven’t agreed to it, does it mean you have no power to say ‘No’ to him?

“Whereas, if someone had encroached on your borders and taken your land, you would swear The Great Oath of Otumfoↄ and bring him before me? So, as for this, Nananom, we are all in it. Whoever has galamsey on his land is involved in it. Whoever has land on which the water is being destroyed – someone has come to yourland and is destroying the water yourpeopledrink – then, you are involved!

“So, you say [the destroyer of your people's land] has a gun. Well, don’t go there. Come to Kumase and report it to me. Just as you would report to me, if someone swore the Great Oath. Come and tell me and I shall request the Regional Minister to send soldiers there. So, from now on, any chief who sits by and allows galamsey to take place on his land, we shall call him here and ask him, how is it that you sat there and allowed galamsey to take place on your land?

“If someone had signed a contract and come to show you a piece of paper and because of that, you allowed him to destroy your water and your land, then it means you know something about it. We shall institute a charge against you.

“These are days when the environment is being taken seriously at a global level. You all heard about what happened at the COP 27 conferences in Cairo. And we sit here and destroy our water and our land? From next year, we shall comb Asante’s lands. If there is galamsey is on your land, we shall ask you why. We shall ask ‘What do you rule the land for'?Your ancestors left it to you and your are watching it destroyed.

Why?” UNQUOTE
The Asantehene expressed the above sentiments TWO YEARS AGO! And yet when he travelled to Cape Coast recently and stopped along the way to look at the Pra River, he was appalled at the state of the River. And, again, he made his condemnation of those responsible for the destruction of the River known!

Otumfoↄ had, in the mean time, DESTOOLED some of his sub-chiefs, who had been found guilty of complicity in galamsey activities. But the world still waits to see whether one of the biggest galamseyers in the Asante Region, the holder of a major political office, will continue to cock a snook at those scandalised by his galamsey activities.

It must be explained that because of our colonial past, there are two types of “power” in existence in Ghana. One type can be described as “hard power” and the other, as “soft power”. Hard power is in the hands of the elected Central Government and its appointed agents. “Soft power”, on the other and, employs culture and persuasion to achieve its ends.

But the apparent division between the two types of power is deceptive. In the end, it is ONLY power exercised to visibly ensure and protect the “public interest”that will endure.

In our culture, for instance, society can punish its errant members in several sorts of ways. Among the most effective are namingand shaming. People can gather behind a miscreant's house and rain insults on him and his family. It has been known to work!

Two proverbs, “Agood name is better than riches” and ”Disgrace does not befit the Akan-born person,” illustrate the degree of importance that is attached to the winning and retaining of a respected “status” in our society. The Chinese place similar value on social respect, as implied by their saying: “A person against whom a thousand fingers are pointing will die, even if he is not sick!”

We in Ghana respectfully call an elderly sage, or an office-holder, “an elder” [Opanin]. We call a chief “Nana” – the same appellation we give to our grand-parents. And they are there to teach us such ancillary virtues and qualities as to NOT fall into debt; or carry out sexual misbehaviour.

As I write this in mid-September 2024, a veritable symphony of voices are making themselves heard, calling for an immediate end to galamsey. From trade unions to academics; from NGOs to professional associations, they are all saying, “Enough is enough! Election year or not, galamsey must stop!”

It would be most unwise for our elected Government to ignore this national consensus, informal though it may be. The empty weasel words and propaganda fodder must stop forthwith. Th nation is sick of doublethink. For water can only be of one type: safe for use or deadly to drink.

Cameron Duodu
Cameron Duodu, © 2024

Martin Cameron Duodu is a United Kingdom-based Ghanaian novelist, journalist, editor and broadcaster. After publishing a novel, The Gab Boys, in 1967, Duodu went on to a career as a journalist and editorialist.. More Martin Cameron Duodu (born 24 May 1937) is a United Kingdom-based Ghanaian novelist, journalist, editor and broadcaster. After publishing a novel, The Gab Boys, in 1967, Duodu went on to a career as a journalist and editorialist.

Education
Duodu was born in Asiakwa in eastern Ghana and educated at Kyebi Government Senior School and the Rapid Results College, London , through which he took his O-Level and A-Level examinations by correspondence course . He began writing while still at school, the first story he ever wrote ("Tough Guy In Town") being broadcast on the radio programme The Singing Net and subsequently included in Voices of Ghana , a 1958 anthology edited by Henry Swanzy that was "the first Ghanaian literary anthology of poems, stories, plays and essays".

Early career
Duodu was a student teacher in 1954, and worked on a general magazine called New Nation in Ghana, before going on to become a radio journalist for the Ghana Broadcasting Corporation from 1956 to 1960, becoming editor of radio news <8> (moonlighting by contributing short stories and poetry to The Singing Net and plays to the programme Ghana Theatre). <9> From 1960 to 1965 he was editor of the Ghana edition of the South African magazine Drum , <10> and in 1970 edited the Daily Graphic , <3> the biggest-selling newspaper in Ghana.< citation needed >

The Gab Boys (1967) and creative writing
In 1967, Duodu's novel The Gab Boys was published in London by André Deutsch . The "gab boys" of the title – so called because of their gabardine trousers – are the sharply dressed youths who hang about the village and are considered delinquent by their elders. The novel is the story of the adventures of one of them, who runs away from village life, eventually finding a new life in the Ghana capital of Accra . According to one recent critic, "Duodu simultaneously represents two currents in West African literature of the time, on the one hand the exploration of cultural conflict and political corruption in post-colonial African society associated with novelists and playwrights such as Chinua Achebe and Ama Ata Aidoo , and on the other hand the optimistic affirmation of African cultural strengths found in poets of the time such as David Diop and Frank Kobina Parkes . These themes come together in a very compassionate discussion of the way that individual people, rich and poor, are pushed to compromise themselves as they try to navigate a near-chaotic transitional society."

In June 2010 Duodu was a participant in the symposium Empire and Me: Personal Recollections of Imperialism in Reality and Imagination, held at Cumberland Lodge , alongside other speakers who included Diran Adebayo , Jake Arnott , Margaret Busby , Meira Chand , Michelle de Kretser , Nuruddin Farah , Jack Mapanje , Susheila Nasta , Jacob Ross , Marina Warner , and others.

Duodu also writes plays and poetry. His work was included in the anthology Messages: Poems from Ghana ( Heinemann Educational Books , 1970).

Other activities and journalism
Having worked as a correspondent for various publications in the decades since the 1960s, including The Observer , The Financial Times , The Sunday Times , United Press International , Reuters , De Volkskrant ( Amsterdam ), and The Economist , Duodu has been based in Britain as a freelance journalist since the 1980s. He has had stints with the magazines South and Index on Censorship , and has written regularly for outlets such as The Independent and The Guardian .

He is the author of the blog "Under the Neem Tree" in New African magazine (London), and has also published regular columns in The Mail and Guardian ( Johannesburg ) and City Press (Johannesburg), as well as writing a weekly column for the Ghanaian Times (Accra) for many years.< citation needed >

Duodu has appeared frequently as a contributor on BBC World TV and BBC World Service radio news programmes discussing African politics, economy and culture.

He contributed to the 2014 volume Essays in Honour of Wole Soyinka at 80, edited by Ivor Agyeman-Duah and Ogochukwu Promise.
Column: Cameron Duodu

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