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Sat, 13 Apr 2019 Feature Article

Akyem Abuakwa’s Historian Tells His Own Story

Akyem Abuakwa’s Historian Tells His Own Story

If anyone reads with real diligence, Professor Robert Addo-Fening’s autobiography, 'Abrewa Nana' he or she won’t fail to notice that the author loves the idea of being an Akyenkwaa(son of Akyem Abuakwa).

He has already published what scholars call a 'seminal' work: 'Akyem Abuakwa 1700-1943: From Ofori Panin to Sir Ofori Atta', which constitutes the most authoritative history of Akyem Abuakwa, so far written.

Because of the detail and amazing scholarship exhibited in that book by Professor Addo-Fening, the book was first published, not in the UK but in Norway. It served as Title No 19 in the series, 'Trondheim Studies In History', published by the Faculty of Arts of the Norwegian University of Science and Technology, Trondheim.

It also chalked for itself, the accolade of being No 1 in the African Series of the University’s Trondheim Studies in History. Thus, Prof. Addo Fening helped to reinforce the notion that “If it’s from Ghana, then it must be Number One in Africa!

The thoroughness of the research in that book was brought home to me when Professor Addo-Fening revealed in it that my own grand-mother, Nana Afia Boatemaa, who was the Okyenhene’s Nifahene (the first woman to become both the substantive chief and later the queen mother of Asiakwa) had given evidence in an enquiry into certain aspects Abuakwa history.

My father, Okyeame Kwame Adade, was Nana Boatemaa's Okyeame, and growing up at her feet, I used to hear her carry out some spectacular name-dropping. She would tell a court hearing, over which she was presiding, that “It was the ‘Komisan(Chief Commissioner) or 'DC' who had ruled that this or that should or should not happen.” It didn’t mean anything to me, of course — until I read Addo-Fening.

This sense of relevance can also be gleaned in the new book by Addo-Fening, his autobiography (which is to be launched at the Ghana Academy of Arts and Sciences in Accra, at 4.30 p.m. on Wednesday the 17th of April 2019. The launch will be chaired by no less a person than the Juabenhene, Nana Otuo Serebour II [Chairman of the Council of State] with the Okyenhene, Osagyefuor Amoatia Ofori Panin, as the guest of honour).

The skill employed by Prof. Addo-Fening in writing his autobiography is something to marvel at. He ensures that the book is not only about the life of one person (himself) but that what happens in that person's life is integrated into the history of Ghana itself. So if the reader is bored by history, he/she will enjoy the life-story of the writer, whilst, if he/she is not particularly interested in the writer's life, he/she will still be enthralled by the history of Ghana that forms the backdrop to the author's life-story.

The thoroughness of Professor Ado-Fening’s research is striking. He has kept diaries in which he notes down events of importance. So the accuracy of the detail he unveils is astounding. Even obscure secondary school teachers through whose hands he passed, get potted biographies in the book. Important aspects of Akyem Abuakwa State affairs, such as the origin of the State Scholarships instituted by the late Nana Sir Ofori Atta The First (of which Addo-Fening himself was a beneficiary) are skillfully sketched out.

We learn about Osino Presbyterian Primary School and its “one table and chair (for the teacher) and two benches” (for the pupils). The conditions under which Addo-Fening obtained his first taste of education will be familiar to many other Ghanaians brought up in the rural areas. The professor also tells us vividly of the realities that confront children who grow up in villages and have to spend quite a bit of time farming with their parents.

Step by step, the author takes us through life as it was led by a young Ghanaian who passes from the elementary school system to a secondary school in Accra; qualifies as a teacher at the 'Kumasi Legon' (the Kwame Nkrumah University of Science and Technology) and then, studying part-time through a correspondence course, obtains entry to the University of Ghana, Legon to read history. We also learn of how it was to travel to far-away Australia to take a post-graduate course at Canberra.

Along the way, Addo-Fening takes time to tutor the reader in the economic history of cocoa production in Ghana; the reaction of cocoa farmers to the cocoa rehabilitation campaign and a host of other interesting historical events in the Ghana of the 1940s till date.

Prof. Addo-Fening succeeds in teaching Akyem why the people of Akyem used to boast that “Meye Akyenkwaa a menom Birem“, (I am an Akyem-born who drinks from the Birem River). This pride also explains the anger with which some Akyems view those in their midst who can, today, stoop so low as to use excavators and bulldozers to lay waste to Akyem Abuakwa's rivers and streams in search of gold.

Born on 7 March 1935 (he thus missed being born on the same day as Ghana's birthday, by a single day!) Professor Addo-Fening has taught history to many students at Legon; he's been a Fulbright Scholar at the University of California at San Diego; and he's held scholarly positions at other American universities. He has written six books — and counting!

Prof. Addo-Fening has been honoured with the title 'Okyeman Kanea'(Illuminating Lamp of Akyem Abuakwa] and if you are able to read his book, you will appreciate why that title may be changed to 'Ghana Kanea'!

I say to him, “Well done, Prof!”

*Abrewa Nana: A trajectory of Life by Robert Addo-Fenning

Published by DIGIBOOKS, P.O. BOX BT 1, TEMA, GHANA

Tel.+233-303-414-720/+233-246-493-842

ISBN: 978-9988-2-8560-9

BY CAMERON DUODU

Cameron Duodu
Cameron Duodu, © 2019

Martin Cameron Duodu is a United Kingdom-based Ghanaian novelist, journalist, editor and broadcaster. After publishing a novel, The Gab Boys, in 1967, Duodu went on to a career as a journalist and editorialist.. More Martin Cameron Duodu (born 24 May 1937) is a United Kingdom-based Ghanaian novelist, journalist, editor and broadcaster. After publishing a novel, The Gab Boys, in 1967, Duodu went on to a career as a journalist and editorialist.

Education
Duodu was born in Asiakwa in eastern Ghana and educated at Kyebi Government Senior School and the Rapid Results College, London , through which he took his O-Level and A-Level examinations by correspondence course . He began writing while still at school, the first story he ever wrote ("Tough Guy In Town") being broadcast on the radio programme The Singing Net and subsequently included in Voices of Ghana , a 1958 anthology edited by Henry Swanzy that was "the first Ghanaian literary anthology of poems, stories, plays and essays".

Early career
Duodu was a student teacher in 1954, and worked on a general magazine called New Nation in Ghana, before going on to become a radio journalist for the Ghana Broadcasting Corporation from 1956 to 1960, becoming editor of radio news <8> (moonlighting by contributing short stories and poetry to The Singing Net and plays to the programme Ghana Theatre). <9> From 1960 to 1965 he was editor of the Ghana edition of the South African magazine Drum , <10> and in 1970 edited the Daily Graphic , <3> the biggest-selling newspaper in Ghana.< citation needed >

The Gab Boys (1967) and creative writing
In 1967, Duodu's novel The Gab Boys was published in London by André Deutsch . The "gab boys" of the title – so called because of their gabardine trousers – are the sharply dressed youths who hang about the village and are considered delinquent by their elders. The novel is the story of the adventures of one of them, who runs away from village life, eventually finding a new life in the Ghana capital of Accra . According to one recent critic, "Duodu simultaneously represents two currents in West African literature of the time, on the one hand the exploration of cultural conflict and political corruption in post-colonial African society associated with novelists and playwrights such as Chinua Achebe and Ama Ata Aidoo , and on the other hand the optimistic affirmation of African cultural strengths found in poets of the time such as David Diop and Frank Kobina Parkes . These themes come together in a very compassionate discussion of the way that individual people, rich and poor, are pushed to compromise themselves as they try to navigate a near-chaotic transitional society."

In June 2010 Duodu was a participant in the symposium Empire and Me: Personal Recollections of Imperialism in Reality and Imagination, held at Cumberland Lodge , alongside other speakers who included Diran Adebayo , Jake Arnott , Margaret Busby , Meira Chand , Michelle de Kretser , Nuruddin Farah , Jack Mapanje , Susheila Nasta , Jacob Ross , Marina Warner , and others.

Duodu also writes plays and poetry. His work was included in the anthology Messages: Poems from Ghana ( Heinemann Educational Books , 1970).

Other activities and journalism
Having worked as a correspondent for various publications in the decades since the 1960s, including The Observer , The Financial Times , The Sunday Times , United Press International , Reuters , De Volkskrant ( Amsterdam ), and The Economist , Duodu has been based in Britain as a freelance journalist since the 1980s. He has had stints with the magazines South and Index on Censorship , and has written regularly for outlets such as The Independent and The Guardian .

He is the author of the blog "Under the Neem Tree" in New African magazine (London), and has also published regular columns in The Mail and Guardian ( Johannesburg ) and City Press (Johannesburg), as well as writing a weekly column for the Ghanaian Times (Accra) for many years.< citation needed >

Duodu has appeared frequently as a contributor on BBC World TV and BBC World Service radio news programmes discussing African politics, economy and culture.

He contributed to the 2014 volume Essays in Honour of Wole Soyinka at 80, edited by Ivor Agyeman-Duah and Ogochukwu Promise.
Column: Cameron Duodu

Disclaimer: "The views expressed in this article are the author’s own and do not necessarily reflect ModernGhana official position. ModernGhana will not be responsible or liable for any inaccurate or incorrect statements in the contributions or columns here." Follow our WhatsApp channel for meaningful stories picked for your day.

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