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Wed, 28 Aug 2024 Feature Article

The hunter and the leopard (part3)

The hunter and the leopard (part3)

About an hour after the leopard had taken his leave, the hunter returned home.

The sight that met his eyes was dismal.
Instead of the cheerful boy who usually smiled broadly on seeing him return safely home, and then peered with immense curiosity inside the hunter’s bag to see what animal(s) he had killed that day, he saw his son sitting on the bare floor, his hand on his cheek and presenting a most forlorn picture.

“Father! Oh Father! I thought I’d never see you again!” the boy said. He went on:

“A few hours after you had left, I was busy in the kitchen when I heard a loud bang on the kitchen door. My heart jumped! What could that be?

“Before I knew what was hap­pening, the kitchen door was ajar. And out there, behind the door stood a….a….a … .a….le-le-leop­ard!”

”WHAAAAAAT?” said the hunter. “Did you say a leopard came here?”

“Yes!” said the boy. “He said he wanted to kill me because you, my father, had killed all the animals in the forest that he, the leopard, feeds on”.

“My word! And what did you say to him?”

“I said that you only killed enough animals to feed the two of us, so if the animals were getting scarce in the forest, then it couldn’t be your fault. This annoyed him. He was (he boasted) Kurotwi­amansa, who was known to be capable of finishing off all the people in a whole town.

“I told him I was too young to know about such things and that I had only told him what I knew to be the truth.

He then changed tack. He became conciliatory and asked me, “Ei, is it true what they say about your father, that he has a special room in which he keeps the skulls of all the animals he kills?”

I wanted to deny that that was true, but I realised he might break down all the doors in the house in order to satisfy himself that I was telling the truth.

So I said yes, you had such a room full of animal “trophies.”

“He then ordered me to go and bring all the skulls from the room and assemble them on the floor. Next, he asked me to name each of them. I did as he asked….”

“You didn’t? You didn’t name the leopard whose skull is in the room with the others??????”

“No!” the boy said. “When I reached the skull of the leopard, I said that you hadn’t told me what animal that was. But I would ask you when you came back home, and Mr Leopard could come back tomorrow to hear what it was.

“The leopard then warned me not to tell you that he wanted to know the name of that particular animal from you. So I swore that I would not reveal anything about his visit here today to you.”

Over dinner, the hunter and his son planned what they would each do on the morrow, if the leopard really did show up.

And the next day, the hunter went into the forest as usual, leaving his son behind. The boy was incandescent with fear, but he trusted in his father’s plan.

At exactly the same time as the previous day, the leopard appeared. And it took the boy through the drill of naming the animals’ skulls again. Again, when it reached the skull of the leopard, the boy hesitated.

He said: “I told my father to tell me what animal it was. But he said that it was the sacred day of that particular animal and that if he mentioned its name to me, both of us would die!”

”What? Is he that superstitious? He goes into the forest with a gun and is such a coward that he uses the gun even on such a small ani­mal as a squirrel. Yet he is afraid to name an animal on a particular day, because he is afraid of the ghost – or is it spirit– of that animal? Who told him animals have ghosts? All right – I shall come back tomor­row. And I shall accept no excuse then – no excuse. If you are unable to tell me what I want to know, I shall bite your head off.” The leop­ard tried to smile at the implied joke, but the intended smile turned into an ugly snarl.

When the hunter returned from hunting that evening, he found the boy was beside himself with rage.

“What at all have I done to you?” he asked his father. Must you expose me to such a hideous creature twice in two days?

The hunter said to the boy, “Don’t worry.” And he went into the bush and brought some herbs, leaves and roots with which he “bathed” his gun, whilst murmur­ing some incantations which the boy didn’t understand.

He next told the boy: “Tomor­row, when the leopard comes, there are just two things you have to do. Do tell him that the name of the animal is the leopard. But as soon as you do so, don’t wait even for half a second, but move away when you hear me whistle. Stand aside very very quickly and make sure you don’t stand where the leopard will spring from – his left side. Have you got that?” The boy nodded.

The next morning, the hunter made all his preparations, as if he was going into the bush to hunt, as usual. But instead of going into the forest, he walked a little way out of the cottage and then circled back to hide behind a tree from which he could see the entire cottage within his gun-sights. He hid behind a tree. He put some extraordinarily powerful bullets in his gun, cocked it, and put it beside him. Then he waited.

(TO BE CONTINUED)

Cameron Duodu
Cameron Duodu, © 2024

Martin Cameron Duodu is a United Kingdom-based Ghanaian novelist, journalist, editor and broadcaster. After publishing a novel, The Gab Boys, in 1967, Duodu went on to a career as a journalist and editorialist.. More Martin Cameron Duodu (born 24 May 1937) is a United Kingdom-based Ghanaian novelist, journalist, editor and broadcaster. After publishing a novel, The Gab Boys, in 1967, Duodu went on to a career as a journalist and editorialist.

Education
Duodu was born in Asiakwa in eastern Ghana and educated at Kyebi Government Senior School and the Rapid Results College, London , through which he took his O-Level and A-Level examinations by correspondence course . He began writing while still at school, the first story he ever wrote ("Tough Guy In Town") being broadcast on the radio programme The Singing Net and subsequently included in Voices of Ghana , a 1958 anthology edited by Henry Swanzy that was "the first Ghanaian literary anthology of poems, stories, plays and essays".

Early career
Duodu was a student teacher in 1954, and worked on a general magazine called New Nation in Ghana, before going on to become a radio journalist for the Ghana Broadcasting Corporation from 1956 to 1960, becoming editor of radio news <8> (moonlighting by contributing short stories and poetry to The Singing Net and plays to the programme Ghana Theatre). <9> From 1960 to 1965 he was editor of the Ghana edition of the South African magazine Drum , <10> and in 1970 edited the Daily Graphic , <3> the biggest-selling newspaper in Ghana.< citation needed >

The Gab Boys (1967) and creative writing
In 1967, Duodu's novel The Gab Boys was published in London by André Deutsch . The "gab boys" of the title – so called because of their gabardine trousers – are the sharply dressed youths who hang about the village and are considered delinquent by their elders. The novel is the story of the adventures of one of them, who runs away from village life, eventually finding a new life in the Ghana capital of Accra . According to one recent critic, "Duodu simultaneously represents two currents in West African literature of the time, on the one hand the exploration of cultural conflict and political corruption in post-colonial African society associated with novelists and playwrights such as Chinua Achebe and Ama Ata Aidoo , and on the other hand the optimistic affirmation of African cultural strengths found in poets of the time such as David Diop and Frank Kobina Parkes . These themes come together in a very compassionate discussion of the way that individual people, rich and poor, are pushed to compromise themselves as they try to navigate a near-chaotic transitional society."

In June 2010 Duodu was a participant in the symposium Empire and Me: Personal Recollections of Imperialism in Reality and Imagination, held at Cumberland Lodge , alongside other speakers who included Diran Adebayo , Jake Arnott , Margaret Busby , Meira Chand , Michelle de Kretser , Nuruddin Farah , Jack Mapanje , Susheila Nasta , Jacob Ross , Marina Warner , and others.

Duodu also writes plays and poetry. His work was included in the anthology Messages: Poems from Ghana ( Heinemann Educational Books , 1970).

Other activities and journalism
Having worked as a correspondent for various publications in the decades since the 1960s, including The Observer , The Financial Times , The Sunday Times , United Press International , Reuters , De Volkskrant ( Amsterdam ), and The Economist , Duodu has been based in Britain as a freelance journalist since the 1980s. He has had stints with the magazines South and Index on Censorship , and has written regularly for outlets such as The Independent and The Guardian .

He is the author of the blog "Under the Neem Tree" in New African magazine (London), and has also published regular columns in The Mail and Guardian ( Johannesburg ) and City Press (Johannesburg), as well as writing a weekly column for the Ghanaian Times (Accra) for many years.< citation needed >

Duodu has appeared frequently as a contributor on BBC World TV and BBC World Service radio news programmes discussing African politics, economy and culture.

He contributed to the 2014 volume Essays in Honour of Wole Soyinka at 80, edited by Ivor Agyeman-Duah and Ogochukwu Promise.
Column: Cameron Duodu

Disclaimer: "The views expressed in this article are the author’s own and do not necessarily reflect ModernGhana official position. ModernGhana will not be responsible or liable for any inaccurate or incorrect statements in the contributions or columns here." Follow our WhatsApp channel for meaningful stories picked for your day.

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