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Sun, 29 Jun 2025 Feature Article

Mike Eghan – An appreciation

Mike EghanMike Eghan

Mike Eghan, who has just passed (at the age of 89), was one of those indi­viduals whom one never forgets once an acquaintanceship has been struck with them.

He was bonhomie personi­fied:
His smile was so ready that one might easily regard it as a permanent fixture on his face. But that did not mean that he was a soft take. Those who came across him at a deeper level – either in a business ven­ture or as a media practitioner, would find in him, a guy who was well-armed with his back­ground facts, and could quickly marshal them to help buttress whatever case he happened to be making at the time.

Persuasive but not overbear­ing, he made friends easily, which meant that either at the Ghana Broadcasting Corpora­tion or at the BBC, he obtained interviews which were denied to his colleagues. Not surpris­ingly, his success was sometimes resented, with the result that his career path never took an altogether smooth line as far as reaching the top was con­cerned. Fortunately for him, he was engaged in an industry in which talent cannot be hid­den for long. Thus, his sound programme, Music With An African Beat, became a weekly rendezvous with listeners to the BBC African Service. Back home, after working abroad for some time, he created an inter­view programme on TV that could often set the agendas for the rest of the media.

I remember that when Jerry Rawlings first entered the polit­ical scene in Ghana, very little was known about him. Mike, armed with his unerring profes­sional eye, realised that this was a major scoop and he invited me to the studio to relate as much of my information about the man and his potential pol­icies as possible to the viewers of his TV show.

I was in London when I heard that his daughter had passed there. Almost the whole of the Eghan family came to London to give the young lady a tremendous send-off. My for­mer colleague at the GBC, Ben Eghan Junior, whose velvety voice endeared him to hordes of listeners who tuned in to his brilliant commentating of live football matches, accompanied his younger brother to the sad funeral of the latter’s daughter. Ben was peeved when I stole Mike away one evening and took him to see a jazz perfor­mance by Liohel Hampton and his band. I coyly apologised to Ben, explaining that jazz wasn’t everyone’s cup of tea!

As I have hinted above, Mike Eghan was a very astute businessman. At a time in the 1970s and 80s when Ghana was short of almost everything that had to be imported, Mike became the manager of a very fashionable hotel/restaurant called Sunrise Hotel. With his friendly personality, he succeed­ed in getting regular supplies of beer, soft drinks and – sausages. Breakfast, lunch and dinner times were thus very busy for the Sunrise, as members of Accra’s “smart set” were to be found there, entertaining one another without paying prices that had gone through the roof. Mike and his business partner, the late Sandy Anderson, are thus owed a great debt by many of us, whose sanity they saved, as we went from bar to bar, vainly looking for our usual “poison” but left empty-hand­ed!

Or rather, empty-bladdered!
Rest in peace, dear Mike. I am sure you will be met, where you are going, with a hearty rendition of the open­ing song to your TV Shows: “Well….well…..welcome to the sho-o-o-o-o-w!”

BY CAMERON DUODU

Cameron Duodu
Cameron Duodu, © 2025

Martin Cameron Duodu is a United Kingdom-based Ghanaian novelist, journalist, editor and broadcaster. After publishing a novel, The Gab Boys, in 1967, Duodu went on to a career as a journalist and editorialist.. More Martin Cameron Duodu (born 24 May 1937) is a United Kingdom-based Ghanaian novelist, journalist, editor and broadcaster. After publishing a novel, The Gab Boys, in 1967, Duodu went on to a career as a journalist and editorialist.

Education
Duodu was born in Asiakwa in eastern Ghana and educated at Kyebi Government Senior School and the Rapid Results College, London , through which he took his O-Level and A-Level examinations by correspondence course . He began writing while still at school, the first story he ever wrote ("Tough Guy In Town") being broadcast on the radio programme The Singing Net and subsequently included in Voices of Ghana , a 1958 anthology edited by Henry Swanzy that was "the first Ghanaian literary anthology of poems, stories, plays and essays".

Early career
Duodu was a student teacher in 1954, and worked on a general magazine called New Nation in Ghana, before going on to become a radio journalist for the Ghana Broadcasting Corporation from 1956 to 1960, becoming editor of radio news <8> (moonlighting by contributing short stories and poetry to The Singing Net and plays to the programme Ghana Theatre). <9> From 1960 to 1965 he was editor of the Ghana edition of the South African magazine Drum , <10> and in 1970 edited the Daily Graphic , <3> the biggest-selling newspaper in Ghana.< citation needed >

The Gab Boys (1967) and creative writing
In 1967, Duodu's novel The Gab Boys was published in London by André Deutsch . The "gab boys" of the title – so called because of their gabardine trousers – are the sharply dressed youths who hang about the village and are considered delinquent by their elders. The novel is the story of the adventures of one of them, who runs away from village life, eventually finding a new life in the Ghana capital of Accra . According to one recent critic, "Duodu simultaneously represents two currents in West African literature of the time, on the one hand the exploration of cultural conflict and political corruption in post-colonial African society associated with novelists and playwrights such as Chinua Achebe and Ama Ata Aidoo , and on the other hand the optimistic affirmation of African cultural strengths found in poets of the time such as David Diop and Frank Kobina Parkes . These themes come together in a very compassionate discussion of the way that individual people, rich and poor, are pushed to compromise themselves as they try to navigate a near-chaotic transitional society."

In June 2010 Duodu was a participant in the symposium Empire and Me: Personal Recollections of Imperialism in Reality and Imagination, held at Cumberland Lodge , alongside other speakers who included Diran Adebayo , Jake Arnott , Margaret Busby , Meira Chand , Michelle de Kretser , Nuruddin Farah , Jack Mapanje , Susheila Nasta , Jacob Ross , Marina Warner , and others.

Duodu also writes plays and poetry. His work was included in the anthology Messages: Poems from Ghana ( Heinemann Educational Books , 1970).

Other activities and journalism
Having worked as a correspondent for various publications in the decades since the 1960s, including The Observer , The Financial Times , The Sunday Times , United Press International , Reuters , De Volkskrant ( Amsterdam ), and The Economist , Duodu has been based in Britain as a freelance journalist since the 1980s. He has had stints with the magazines South and Index on Censorship , and has written regularly for outlets such as The Independent and The Guardian .

He is the author of the blog "Under the Neem Tree" in New African magazine (London), and has also published regular columns in The Mail and Guardian ( Johannesburg ) and City Press (Johannesburg), as well as writing a weekly column for the Ghanaian Times (Accra) for many years.< citation needed >

Duodu has appeared frequently as a contributor on BBC World TV and BBC World Service radio news programmes discussing African politics, economy and culture.

He contributed to the 2014 volume Essays in Honour of Wole Soyinka at 80, edited by Ivor Agyeman-Duah and Ogochukwu Promise.
Column: Cameron Duodu

Disclaimer: "The views expressed in this article are the author’s own and do not necessarily reflect ModernGhana official position. ModernGhana will not be responsible or liable for any inaccurate or incorrect statements in the contributions or columns here." Follow our WhatsApp channel for meaningful stories picked for your day.

Comments

Cd | 6/29/2025 12:59:36 PM

The name of the jazz band leader was. LIONEL Hampton Best regards

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