Miriam Makeba, Fela-Anikulapo-Kuti are the Greatest of All Time

CANOE Quarterly Magazine salutes the Originals that changed music in

Africa, in its September 2009 Music Edition. Aptly titled 'The G.O.A.T.

(Greatest of All Time) Edition', it is spearheaded by a tribute to Mama

Africa, the story of Afrobeat King, Fela Anikulapo-Kuti, and their

relevance to today's music culture.
In recent years, the music industry has experienced an influx of different

sounds, sometimes pure genius and sometimes overwhelmingly confusing. In a

global world filled with marketing ploys to satisfy consumers' needs for

instant gratification, the African music industry has not been spared by

the assault. The result: the domination of the airwaves by meaningless

lyrics backed by expensive production. To re-define the future, one has to

look into the past, to a time when musicians where vocally gifted and

music had messages.
CANOE Quarterly pays homage to African musical legends, icons who decided

that the status quo was not acceptable, used their music as weapons for

social change and/or spearheaded new movements in music; Fela

Anikulapo-Kuti, Miriam 'Mama Africa' Makeba and Ghana's Hiplife originator

Reggie Rockstone, to mention a few. Reggie talks about his musical journey

and sounds off on various issues including Payola and patenting the word

'hiplife'.
Gracing the cover of the edition is one-half of ex Ghanaian pop-duo 'Irene

and Jane'. Now a solo artiste under the stage name 'Efya', Jane Awindor

returns to the music scene with not only a new moniker but a new musical

direction, and addresses the rumours about the split with Irene Logan.

The edition also acknowledges a new generation of flag bearers in the

African music renaissance, receiving the baton from musicians like Youssou

N'dour, Rocky Dawuni and Salif Keita, including M3nsa, freeclass princess

Sena Dagadu, Nigeria's Nneka, French heartthrob Kaysha and South-African

hiphop group Jozi.
Elsewhere in the magazine, continuing in the ode to all things

musically-inclined, are features on the coolest audio gadgets from

powerhouses like Bang & Olufsen, promoters of African music like dedicated

music station Channel O, and exclusive interviews from heavyweights like

Panji Anoff, head of production house, Pidgen Music. Panji has turned his

attention to movie-making – a musical titled “Coz Ov Moni”, featuring

Ghanaian hit musicians M3nsa and Wanlov the Kubolor in the lead roles.

“The luxury of having a musical culture such as ours has not only been an

integral part of our societies, but has even had a major influence in the

development of modern music across the world”, says Ms Sefa Gohoho,

Business Director and one of the founders of the CANOE group.

Editor-In-Chief and Founder, Kweku Ansah adds, “CANOE Quarterly's journey

at the end of two years is celebrated in music - Music is everything. If

you have forgotten that magical power of music, find it in African song

and dance; buy, download or make some”.
The G.O.A.T. Edition goes on sale from the second week of September 2009.

About CANOE:
CANOE Quarterly Magazine is an African luxury lifeclass magazine

celebrating our great continent and its people in a uniquely deserving

manner, with a purpose to correct the distorted international media image

of Africa. In its 2 years of publication, CANOE has attracted a Rolodex of

print and editorial content and can now be seen in the following

countries: Nigeria, Ghana, Liberia, Sierra Leone, South Africa, Botswana

and Zambia with a subscription base in the UK, USA, CANADA and other parts

of Europe. In the course of the year, Kenya, Mozambique and Egypt will

also be introduced to this quarterly edition.

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