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Mr Speaker, Sir, You Have Unilaterally Abolished The Sovereignty Of Ghana’s Parliament!

Feature Article Mr Speaker, Sir, You Have Unilaterally Abolished The Sovereignty Of Ghana’s Parliament!
SAT, 03 SEP 2016

Perhaps I should not have been surprised when I heard that the Speaker of the National Assembly, The Right Honourable Doe Adjaho, had disallowed the Motion the Minority wanted to present to the House, asking it to investigate reports that President John Mahama had received a Chevrolet car as a “gift” from a Burkinabe contractor. The contractor subsequently obtained some contracts from the Government of Ghana, and so, the “gift” can be considered a “bribe”-- and in its oversight role, that's a proper issue fior Parliament to be concerned with.

I should not have been surprised at Adjaho's action because the Government of which he is a member (he was put in the job of Speaker of the Legislature by the Majority NDC, which is in power at the executive level as well as in the Legislature) is so notorious for flouting normal rules with impunity that it is almost naïve to expect it to do anything else.

Indeed, Mr Adjaho had set a precedent for himself in “impunity” by acting in precisely the same manner, over the sale of Merchant Bank to a company called Fortiz in 2014. He got away with that, thanks to the ability of the Opposition to demonstrate that he had flouted the Constitution in blocking the parliamentary scrutiny of a transaction that involved public funds, namely, capital taken from the Social Security and National Insurance Trust. How can one man impose his understanding of what the functions of Parliament are, on the elected representatives of the people? After all, was it not Parlaiemtnt that voted him in as its Speaker? How can the "servant" force his point of view upon his employer?

But even though in blocking Parliamentary scrutiny of the sale of Merchant Bank to Fortiz, Mr Adjaho acted ultra vires, (that is, he acted “beyond the powers of his office”) he at least had the fig leaf of the sub judice rule to cover his patently partisan act. (In fairness to the Opposition, they might have bowed to a rather narrow interpretation of the sub judice rule.)

A narrow interpretation of the sub judice rule? Yes -- it is a well-known stratagem for clever lawyers, to rush to file a writ in court, when they want to gag both the media (and in this case, even Parliament) on realising that embarrassing disclosures might ensue from an open, public and privileged discussion of a matter – especially one relating to a dubious business deal.

In the Mahama/Chevrolet car matter, however, no recoursethe issue is not even before a court! It is only before the Commission for Human Rights And Administrative Justice (CHRAJ). So, in preventing Parliament – which has so much power that a popular adage says it “can do anything except change a man into a woman!”) – Mr Adjaho has dealt two deadly blows to Ghana's 1992 Constitution: (1) he has unilaterally upgraded the status of the Commission on Human Rights and Administrative Justice to full judicial status, in direct contravention to the Constitution and (2) he has thereby unilaterally abolished the power of the Parliament of Ghana given to it by the people of Ghana!The Opposition says it is "embarrassed". Well, it shouldn't be --Joe Adaho deserves to be brought down for committing treason against the Parliament of Ghana, and thereby, against the people of Ghana.

For what he has done is totally unacceptable, because in the very first words of the Constitution, it is clearly stated that:

The Sovereignty of Ghana resides in the people of Ghana in whose name and for whose welfare the powers of government are to be exercised in the manner and within the limits laid down in this Constitution.

In other words, SOVEREIGNTY RESIDES IN THE PEOPLE, AND THEREBY, THEIR ELECTED REPRESENTATIVES; i.e. PARLIAMENT!

Indeed, CHRAJ would be the first body to express shock at the way Mr Adjaho has used a CHRAJ investigation to block an investigation by our sovereign Parliament. For on its own webpage, the CHRAJ acknowledges unambiguously that:

The Commission is not a judicial bodyand cannot review decisions that have previously been decided by a competent court.

So, if the CHRAJ does not consider itself either as a "judicial body" or a "competent court", where did Adjaho get the idea that a CHRAJ investigation can preclude Parliament from scrutinising any behaviour of a person holding public office? Who gave Mr Adjaho the power to clothe the proceedings of the CHRAJ with the mantle of sub judice? (By the way, as a matter of interest, the sub judiceprinciple is, itself, under severe attack, on the grounds that it is antiquiated and that no modern judge worth his/her salt would take the slightest notice of anything said elsewhere about a case before him or her, when judges are enjoined to consider only evidence adduced before their courts.)

I have to remind Mr Doe Adjaho – again (as I did when I put him on my "New Year Honours List" in January 2015) – that the position of Speaker of the National Assembly is not one to be dignified only with “silk hoses and patent leather shoes” (the garb favoured by the Speaker of the House of Commons and adopted, to my knowledge, by Speakers of the Parliament of Ghana, following a precedent set by Sir Emmanuel Charles Quist!)

Despite the superficial frills, the position of Speaker is one of great trust. To be given the power to oversee the propriety of what is said and done by the elected representatives of the people on behalf of their electors, is to be placed in charge of the most important right that any people can possess – freedom of speech. The Speaker must facilitate and protect this right, not impede it.

That is why, if I were an MP, I would go straight to the Supreme Court to seek an interpretation of the notion that if the CHRAJ is seized of a matter, then Parliament is automatically prevented from delving into it. Indeed, if we were in a country where people cared enough about their constitutional rights, a public appeal would be launched immediately asking for donations to finance a suit at the Supreme Court to declare the Speaker's assault on democracy unlawful.

May I point Mr Adjaho (and the Clerk of Parliament, whose technocratic name Mr Adjaho ingloriously invoked in making his outrageous and scandalous ruling) to what the website of the House of Commons – the location from which the mystifying notion of a “Speaker” who does not “speak” in debates originated (!) – has to say about the office of the Speaker:

“The Speaker is the chief officer and highest authority of the House of Commons and must remain politically impartial at all times. [emphasis added]....The Speaker keeps order and calls MPs to speak. Speakers still stand in general elections. [But] They are generally unopposed by the major political parties, who will not field a candidate in the Speaker's constituency. [emphasis added]. During a general election,Speakers do not campaign on any political issues [emphasis added].

It is the enforcement of rules like the above that enables the British to have confidence in the integrityof their high officials. Even so, they are not fully satisfied with their democracy, and keep tinkering with it.

If our democracy is to last; if it is to be respected by the populace as a system that can effectively prevent corruption from occurring in our nations's affairs; then we must force our public office-holders to exhibit the same integrity

as their British counterparts do. And we can only do that if we ensure that officials like the Speaker of Parliament understand and operate our system, both according to the words written in the Constitution and the spiritbehind those fine words.

In other words, Mr Speaker, we don't call you 'Panin' (Elder) for nothing (as our talking drums would tell you, if you knew how to listen to them!). You are supposed to repay the privileges inherent in your position, by acting in a manner that would not disgrace your counterparts in other democratic domains. For, after doing what you have done, how can you -- and your Clerk -- hold your heads high, if you are invited to conferences of the Inter-Parliamentary organisations of the democratic world?

www.cameronduodu.com

Cameron Duodu
Cameron Duodu, © 2016

Martin Cameron Duodu is a United Kingdom-based Ghanaian novelist, journalist, editor and broadcaster. After publishing a novel, The Gab Boys, in 1967, Duodu went on to a career as a journalist and editorialist.. More Martin Cameron Duodu (born 24 May 1937) is a United Kingdom-based Ghanaian novelist, journalist, editor and broadcaster. After publishing a novel, The Gab Boys, in 1967, Duodu went on to a career as a journalist and editorialist.

Education
Duodu was born in Asiakwa in eastern Ghana and educated at Kyebi Government Senior School and the Rapid Results College, London , through which he took his O-Level and A-Level examinations by correspondence course . He began writing while still at school, the first story he ever wrote ("Tough Guy In Town") being broadcast on the radio programme The Singing Net and subsequently included in Voices of Ghana , a 1958 anthology edited by Henry Swanzy that was "the first Ghanaian literary anthology of poems, stories, plays and essays".

Early career
Duodu was a student teacher in 1954, and worked on a general magazine called New Nation in Ghana, before going on to become a radio journalist for the Ghana Broadcasting Corporation from 1956 to 1960, becoming editor of radio news <8> (moonlighting by contributing short stories and poetry to The Singing Net and plays to the programme Ghana Theatre). <9> From 1960 to 1965 he was editor of the Ghana edition of the South African magazine Drum , <10> and in 1970 edited the Daily Graphic , <3> the biggest-selling newspaper in Ghana.< citation needed >

The Gab Boys (1967) and creative writing
In 1967, Duodu's novel The Gab Boys was published in London by André Deutsch . The "gab boys" of the title – so called because of their gabardine trousers – are the sharply dressed youths who hang about the village and are considered delinquent by their elders. The novel is the story of the adventures of one of them, who runs away from village life, eventually finding a new life in the Ghana capital of Accra . According to one recent critic, "Duodu simultaneously represents two currents in West African literature of the time, on the one hand the exploration of cultural conflict and political corruption in post-colonial African society associated with novelists and playwrights such as Chinua Achebe and Ama Ata Aidoo , and on the other hand the optimistic affirmation of African cultural strengths found in poets of the time such as David Diop and Frank Kobina Parkes . These themes come together in a very compassionate discussion of the way that individual people, rich and poor, are pushed to compromise themselves as they try to navigate a near-chaotic transitional society."

In June 2010 Duodu was a participant in the symposium Empire and Me: Personal Recollections of Imperialism in Reality and Imagination, held at Cumberland Lodge , alongside other speakers who included Diran Adebayo , Jake Arnott , Margaret Busby , Meira Chand , Michelle de Kretser , Nuruddin Farah , Jack Mapanje , Susheila Nasta , Jacob Ross , Marina Warner , and others.

Duodu also writes plays and poetry. His work was included in the anthology Messages: Poems from Ghana ( Heinemann Educational Books , 1970).

Other activities and journalism
Having worked as a correspondent for various publications in the decades since the 1960s, including The Observer , The Financial Times , The Sunday Times , United Press International , Reuters , De Volkskrant ( Amsterdam ), and The Economist , Duodu has been based in Britain as a freelance journalist since the 1980s. He has had stints with the magazines South and Index on Censorship , and has written regularly for outlets such as The Independent and The Guardian .

He is the author of the blog "Under the Neem Tree" in New African magazine (London), and has also published regular columns in The Mail and Guardian ( Johannesburg ) and City Press (Johannesburg), as well as writing a weekly column for the Ghanaian Times (Accra) for many years.< citation needed >

Duodu has appeared frequently as a contributor on BBC World TV and BBC World Service radio news programmes discussing African politics, economy and culture.

He contributed to the 2014 volume Essays in Honour of Wole Soyinka at 80, edited by Ivor Agyeman-Duah and Ogochukwu Promise.
Column: Cameron Duodu

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