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Ghana Has Been Hoist With Its Own Petard!

Feature Article Ghana Has Been Hoist With Its Own Petard!
SUN, 28 AUG 2016

GHANA is a contradiction in terms.

By that, I mean this: we live in a country with its own way of doing things. All our communities have inherited rules for all the important things of life – property rights; marriage; birth and death rites; and most important: justice.

These traditions served our people for hundreds of years before we experienced a mere century or so of colonial rule under the British. Since then, we have been taken over by a personality construct that is at war with itself. Our traditional values are often difficult to reconcile with our adopted values relating to legal and juridical processes.

In traditional Akan society (for example) every case that came to the chief's court involved people with whom the elders – who acted as judge and jury – were familiar. So they knew the character of each individual who was brought before them. The trials were also held in public. So the performance of each elder on the court was seen by everyone. Therefore, few elders could show favour to, or bias against, the alleged offender.

Even more important, the main concern of the elders was to reconcile the parties in dispute. In pronouncing judgement after a hearing in public (followed by a private consultation by the elders behind closed doors) their spokesperson would address the guilty party in these terms:

“When we went to consult The Old Woman, she told us that you, Litigant Asomasi, had not treated Litigant Obenteng fairly, and that if you had taken a stick and beaten him to death with it, you would have treated him as a mere animal.”

And the whole assemblage would grunt: “Heeeeeee!” in support of the verdict.

Of course, no litigant could be said to be completely satisfied with the outcome. But the public airing of the dispute often had a therapeutic effect — even on those found guilty.

Contrast this with the British system we now operate. A supposedly impersonal police force or prosecution service (whose incorruptibility cannot be guaranteed) presents a case against someone before a magistrate or judge (whose incorruptibility cannot be guaranteed!)

If it is a civil case, lawyers (who would only get to know the litigants when they presented themselves in the lawyers' chambers) would try to find legal arguments that supported their clients' claims. In that adversarial atmosphere, justice can become a veritable gamble. What do you get if you place this witches' brew of ambiguities in the party-political domain? Or use it to write a Constitution?

Don't believe that the people who write Constitutions do not have an axe to grind. I was a member of the Constituent Assembly that wrote Ghana's 1979 Constitution and I was appalled to find that even the representatives of the professional organisations, who were supposed to be politically neutral and thereby able to provide “objective” good sense to balance the “biased” proposals of the politically ambitious members, often joined hands with the politicians!

Thereby, we missed an opportunity to write a Constitution that would have enabled us to capitalise on our multi-faceted experience in the social sphere, to craft a document both unique to us and easy to operate.

We now have a “hybrid” Constitution that incorporates the worst aspects of governance in the two countries from which our document borrowed most liberally – the USA and the United Kingdom.

We have a system of “majority carries the vote” in a Parliament that mimics the UK House of Commons.

But whereas in the UK, the House of Lords can act as a “braking mechanism” that halted the Prime Minister and his Cabinet in their tracks by delaying or even “vetoing” obnoxious legislation, in Ghana what the National Assembly decides is final.

We do have an executive President instead of a Prime Minister, of course, but whereas in the USA, the powers of the President are severely curbed by the necessity to seek the advice and consent of the legislative arm of government, in Ghana, the President has a free hand as long as he can carry our uni-cameral Assembly with him.

So our Constitution uses the words and mechanisms of democracy but does not protect the spirit of that democracy. It has created a situation that is nearly schizophrenic; a contradiction that has now trapped our President into granting a pardon to the “Montie Trio.”

To be sure, the Constitution grants the President the power to pardon. But he is expected to exercise it in strict compliance with the Oath of Office that defines the spirit in which he has to fulfil his duties as President.

This is the Oath he swore: “I dedicate myself to the service and well-being of the people of the Republic of Ghana and to do right to all manner of persons.”

Is pardoning people who have threatened to kill members of the Supreme Court and forcibly marry (i.e. rape) their head (who happens to be a woman) “doing right by all manner of persons”?

If the 'Montie Trio' were members of the NPP – as against the President's NDC – would he have freed them?

And if he wouldn't free NPP offenders of the 'Montie Trio' variety (as can be assumed) would that not amount to discriminating against people who were not in his own party? Would that be doing “right to all manner of people”?

Secondly, how does undermining the authority of the Supreme Court – the very Court that gave the President his job – enhance “the well-being” of the people of Ghana?

Richard M Nixon resigned the presidency of the USA in 1974 when it became public knowledge that he had authorised a criminal act, namely, the burglary at the Watergate offices of the Democratic National Committee.

The US Senate would have impeached Nixon anyway, if he had not resigned. Significantly, those voting for impeachment would have included many in Nixon's own Republican Party. Why? Because they realised he was not in tune with the spirit of American democracy.

Will our Parliamentarians “impeach” President Mahama for breaking the Presidential Oath that defines the spirit in which our President is supposed to act?

By CAMERON DUODU
www.cameronduodu.com

Cameron Duodu
Cameron Duodu, © 2016

Martin Cameron Duodu is a United Kingdom-based Ghanaian novelist, journalist, editor and broadcaster. After publishing a novel, The Gab Boys, in 1967, Duodu went on to a career as a journalist and editorialist.. More Martin Cameron Duodu (born 24 May 1937) is a United Kingdom-based Ghanaian novelist, journalist, editor and broadcaster. After publishing a novel, The Gab Boys, in 1967, Duodu went on to a career as a journalist and editorialist.

Education
Duodu was born in Asiakwa in eastern Ghana and educated at Kyebi Government Senior School and the Rapid Results College, London , through which he took his O-Level and A-Level examinations by correspondence course . He began writing while still at school, the first story he ever wrote ("Tough Guy In Town") being broadcast on the radio programme The Singing Net and subsequently included in Voices of Ghana , a 1958 anthology edited by Henry Swanzy that was "the first Ghanaian literary anthology of poems, stories, plays and essays".

Early career
Duodu was a student teacher in 1954, and worked on a general magazine called New Nation in Ghana, before going on to become a radio journalist for the Ghana Broadcasting Corporation from 1956 to 1960, becoming editor of radio news <8> (moonlighting by contributing short stories and poetry to The Singing Net and plays to the programme Ghana Theatre). <9> From 1960 to 1965 he was editor of the Ghana edition of the South African magazine Drum , <10> and in 1970 edited the Daily Graphic , <3> the biggest-selling newspaper in Ghana.< citation needed >

The Gab Boys (1967) and creative writing
In 1967, Duodu's novel The Gab Boys was published in London by André Deutsch . The "gab boys" of the title – so called because of their gabardine trousers – are the sharply dressed youths who hang about the village and are considered delinquent by their elders. The novel is the story of the adventures of one of them, who runs away from village life, eventually finding a new life in the Ghana capital of Accra . According to one recent critic, "Duodu simultaneously represents two currents in West African literature of the time, on the one hand the exploration of cultural conflict and political corruption in post-colonial African society associated with novelists and playwrights such as Chinua Achebe and Ama Ata Aidoo , and on the other hand the optimistic affirmation of African cultural strengths found in poets of the time such as David Diop and Frank Kobina Parkes . These themes come together in a very compassionate discussion of the way that individual people, rich and poor, are pushed to compromise themselves as they try to navigate a near-chaotic transitional society."

In June 2010 Duodu was a participant in the symposium Empire and Me: Personal Recollections of Imperialism in Reality and Imagination, held at Cumberland Lodge , alongside other speakers who included Diran Adebayo , Jake Arnott , Margaret Busby , Meira Chand , Michelle de Kretser , Nuruddin Farah , Jack Mapanje , Susheila Nasta , Jacob Ross , Marina Warner , and others.

Duodu also writes plays and poetry. His work was included in the anthology Messages: Poems from Ghana ( Heinemann Educational Books , 1970).

Other activities and journalism
Having worked as a correspondent for various publications in the decades since the 1960s, including The Observer , The Financial Times , The Sunday Times , United Press International , Reuters , De Volkskrant ( Amsterdam ), and The Economist , Duodu has been based in Britain as a freelance journalist since the 1980s. He has had stints with the magazines South and Index on Censorship , and has written regularly for outlets such as The Independent and The Guardian .

He is the author of the blog "Under the Neem Tree" in New African magazine (London), and has also published regular columns in The Mail and Guardian ( Johannesburg ) and City Press (Johannesburg), as well as writing a weekly column for the Ghanaian Times (Accra) for many years.< citation needed >

Duodu has appeared frequently as a contributor on BBC World TV and BBC World Service radio news programmes discussing African politics, economy and culture.

He contributed to the 2014 volume Essays in Honour of Wole Soyinka at 80, edited by Ivor Agyeman-Duah and Ogochukwu Promise.
Column: Cameron Duodu

Disclaimer: "The views expressed in this article are the author’s own and do not necessarily reflect ModernGhana official position. ModernGhana will not be responsible or liable for any inaccurate or incorrect statements in the contributions or columns here." Follow our WhatsApp channel for meaningful stories picked for your day.

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