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Only Journalists Can Protect Their Profession

Feature Article Only Journalists Can Protect Their Profession
SAT, 13 AUG 2016

It was very instructive to observe how quickly the owners of Monte Radio absolved themselves from the hideous contempt of court which recently earned prison sentences for three panellists who took part in a programme aired by the station.

They all expressed their disgust at the sentiments expressed by the panellists against the Supreme Court, and indicated that had they known in advance that the “Montie Trio” were going to make such outrageous statements, the owners would not have allowed them to do so!

Which raises the question: what made them offer employment to the producer who put the programme on the air? Who appointed the host of the programme? `Who was listening to the programme, as it went on the air live, to monitor it and ensure that if it strayed into illegal areas – such as of libel, contempt of court or obscenity-- the discussion would be terminated?

That is what a radio station manned by good professionals would do. For microphones can have an intoxicating effect on human beings. It happens to politicians on podiums. It happens to evangelists in pulpits: who would have believed, for instance, that a well-respected “prophet” would taunt his congregation with the statement that the perfume he wore was more expensive than the monthly wages 0f some of them?

Of course, the possession of money – which enables people to buy microphones and install them at radio stations – does not guarantee that the purchasers of the microphones would have enough wisdom to consult professionals before setting up their radio stations. They would, of course, rely on engineers to select and install the transmitters and other equipment; accountants to keep an eye on the advertising revenue and balance it against the wages of the station's employees. But when it comes to the producers and the journalists who decide what news items to broadcast and what topics should be discussed and by whom, political associates, nephews and nieces, friends and paramours, can be counted upon to fill the majority of the posts.

”We didn't know they would behave like that!” the owners protest. As if saying that one didn't know a baby could crawl towards an open fire would be enough to excuse one for exposing the child to the possibility of being burned alive.

I intend, in this article, to illustrate how easy it is to ignore all journalistic ethics and principles, as well as ordinary common sense, in offering what is alleged to be “news” to radio listeners. It is important to note, at the outset, that radio listeners often include print journalists, who use the radio as a lazy way of filling their own pages.

The story is taken from a report reprinted from Ultimatefmonline.com/106.9fm by Ghanaweb on 11 August 2016:

QUOTE:
“I Make GH¢10,000 Each Time I Have sex with a Virgin - Ritualist Confesses

By Stephen Zoure
“The desire of Forty-Six (46) year old businessman Stephen Nortey, to become rich overnight has led him into sleeping with virgins as directed by his spiritual father, in order to keep his wealth increasing.

Nortey who hails from the New Juaben Municipality in the Eastern Region, claims that ... a spiritualist who resides in Nankese... initiated him into sleeping with virgins.....

“He claims he uses a special handkerchief given to him by his spiritual father ... to wipe off the blood that comes out of virgin girls after sleeping with them, and later drop (sic) it in a pot which is meant to produce money after he goes through some incantations. “I make a whopping amount of ten thousand Ghana cedis (GH₵10,000.00) anytime I have sex with a virgin”, he disclosed on Koforidua-based Bryte FM.

“The businessman lures his victims with gifts and when they become unconscious, he makes a snake given to him by the fetish priest enter their private parts if he desires foreign currency and can make up to $50,000 in a day. On how he is able to get his target ladies, he said “I smell of money and that speaks for me. I have been doing this for the past twelve years and have so far used about thirty young virgins”. UNQUOTE

There are many internal contradictions in this story which should make any alert news editors, sub-editors and editors wary of accepting its truthfulness and passing it on to listeners/readers. To begin with, how does Mr Nortey ascertain that the “virgin” he has selected is in possession of C10,000 (or in the case of foreign currency, $50,000)? In any case, how does he know that a young lady is a “virgin” or not – before he has “slept” with her?

Try and unpick the rest of the illogical aspects of the story yourself. Ask, for instance: Why did the fetish priest give Nortey the power to extort money only from “virgins”? What have virgins done to annoy the fetish priest? Where does Nortey normally keep the “snake”? What does he feed it on? Has the snake ever bitten one of the “virgins”?

In fact, you will find, as you deconstruct it, that the entire Nortey story is phooey! Yet it made its way, through two radio stations, to Ghanaweb, which is the main website used by many Ghanaians (especially those abroad) to obtain news about their country, to say nothing of foreigners who want to learn more about Ghana.

Now, if Ghanaian “journalists” continue in this way to peddle ignorance, superstition and pornography as “news”, they will inevitably arouse the ire of the “thought police” who exist – usually secretly – everywhere in the world, and there will be calls for journalists to be licensed and their output censored before publication.

The sad thing is that journalists” may find, when such calls are made by those who are opposed to free speech and freedom of thought, that they have alienated so many people in the society with their stupid publications in the past that their defenders will be extremely few in number.

www.cameronduodu.com

Cameron Duodu
Cameron Duodu, © 2016

Martin Cameron Duodu is a United Kingdom-based Ghanaian novelist, journalist, editor and broadcaster. After publishing a novel, The Gab Boys, in 1967, Duodu went on to a career as a journalist and editorialist.. More Martin Cameron Duodu (born 24 May 1937) is a United Kingdom-based Ghanaian novelist, journalist, editor and broadcaster. After publishing a novel, The Gab Boys, in 1967, Duodu went on to a career as a journalist and editorialist.

Education
Duodu was born in Asiakwa in eastern Ghana and educated at Kyebi Government Senior School and the Rapid Results College, London , through which he took his O-Level and A-Level examinations by correspondence course . He began writing while still at school, the first story he ever wrote ("Tough Guy In Town") being broadcast on the radio programme The Singing Net and subsequently included in Voices of Ghana , a 1958 anthology edited by Henry Swanzy that was "the first Ghanaian literary anthology of poems, stories, plays and essays".

Early career
Duodu was a student teacher in 1954, and worked on a general magazine called New Nation in Ghana, before going on to become a radio journalist for the Ghana Broadcasting Corporation from 1956 to 1960, becoming editor of radio news <8> (moonlighting by contributing short stories and poetry to The Singing Net and plays to the programme Ghana Theatre). <9> From 1960 to 1965 he was editor of the Ghana edition of the South African magazine Drum , <10> and in 1970 edited the Daily Graphic , <3> the biggest-selling newspaper in Ghana.< citation needed >

The Gab Boys (1967) and creative writing
In 1967, Duodu's novel The Gab Boys was published in London by André Deutsch . The "gab boys" of the title – so called because of their gabardine trousers – are the sharply dressed youths who hang about the village and are considered delinquent by their elders. The novel is the story of the adventures of one of them, who runs away from village life, eventually finding a new life in the Ghana capital of Accra . According to one recent critic, "Duodu simultaneously represents two currents in West African literature of the time, on the one hand the exploration of cultural conflict and political corruption in post-colonial African society associated with novelists and playwrights such as Chinua Achebe and Ama Ata Aidoo , and on the other hand the optimistic affirmation of African cultural strengths found in poets of the time such as David Diop and Frank Kobina Parkes . These themes come together in a very compassionate discussion of the way that individual people, rich and poor, are pushed to compromise themselves as they try to navigate a near-chaotic transitional society."

In June 2010 Duodu was a participant in the symposium Empire and Me: Personal Recollections of Imperialism in Reality and Imagination, held at Cumberland Lodge , alongside other speakers who included Diran Adebayo , Jake Arnott , Margaret Busby , Meira Chand , Michelle de Kretser , Nuruddin Farah , Jack Mapanje , Susheila Nasta , Jacob Ross , Marina Warner , and others.

Duodu also writes plays and poetry. His work was included in the anthology Messages: Poems from Ghana ( Heinemann Educational Books , 1970).

Other activities and journalism
Having worked as a correspondent for various publications in the decades since the 1960s, including The Observer , The Financial Times , The Sunday Times , United Press International , Reuters , De Volkskrant ( Amsterdam ), and The Economist , Duodu has been based in Britain as a freelance journalist since the 1980s. He has had stints with the magazines South and Index on Censorship , and has written regularly for outlets such as The Independent and The Guardian .

He is the author of the blog "Under the Neem Tree" in New African magazine (London), and has also published regular columns in The Mail and Guardian ( Johannesburg ) and City Press (Johannesburg), as well as writing a weekly column for the Ghanaian Times (Accra) for many years.< citation needed >

Duodu has appeared frequently as a contributor on BBC World TV and BBC World Service radio news programmes discussing African politics, economy and culture.

He contributed to the 2014 volume Essays in Honour of Wole Soyinka at 80, edited by Ivor Agyeman-Duah and Ogochukwu Promise.
Column: Cameron Duodu

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