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Sun, 26 May 2024 Feature Article

Oh, What’s Happened To Us?

Oh, What’s Happened To Us?

The house in which i was raised at Asiakwa, in the Eastern Region, was typically one of those in which one could not help hearing everything anyone else in the house had to say! secret affairs? They would be found out anyhow, so why not discuss them openly?

The rooms in the house were arranged on four sides of an open 'yard'; each side had its own veranda and it was on the veranda that the occupants of the rooms sat all day and sometimes at night. And of course, they never shut their mouths once on the veranda.

The yard could not have been more than 50 or so feet in length, so every word uttered anywhere within its circumference might as well have been said into a microphone. For it could be heard by everyone else in the house. Sometimes, when arguments arose, one could even hear what was being said inside – the bedrooms!

There was always something to laugh at, discreetly, during such eavesdropping sessions.

The men in the house were the great talkers: their leader was my oldest step-brother, who was so close to my father in age that I was taught to call him 'Papa' Kofi Bunto, using exactly the same title with which I addressed my father.

Papa Kofi is best remembered for the uncanny artistry with which he approached the task of surviving by relying on what was in our green forest, and in our rivers. He was an expert shot (with gun or catapult) as well as the constructor of all types of traps and snares (contraptions with the generic name, 'fidie').

It was a sight to see him making fish traps from raffia cane and strings made out of the bark and roots of certain trees. No fish, crab or shrimp could escape his fish traps ('ajokuo'). It was good to be of use to him, for you were in his good books, he always made sure that as he was flaying game (for instance) he would cut the animal's liver to grill and consume – long before the rest of the animal was used in making soup.

These 'bonus cuts' of meat were extraordinarily delicious; no doubt. They signalled that one was a rather 'special' boy! That would arouse the envy of one's siblings (another form of delight altogether!)

The conversation the men allowed us to overhear was usually extremely witty and full of mysteries that we kids hardly understood.

For instance, they claimed to see, on some dark nights, objects in the shape of 'soft boxes' that floated in the sky and passed over our Houses! Yes – extraterrestrial objects weren't invented yesterday. When Papa Kofi joined in describing some of these alleged sightings, I was confused, for how could an expert trapper not be right in whatever he said about our world and the universe, generally?

And yet – loads in the air above our houses?

The conversations became most amusing when they were sometimes transformed into a clever play with words. I remember one of the men telling the story of how a man fell into an nkomena (mine-hole) and was rescued by his gang. The veracity of this story was punctured by the fact that no-one ever forgot the name of a member of his 'gang'!

After all, one's very life could depend on cooperation from all members of the 'gang', couldn't it?

How could one forget such an important name? It's as I have grown older myself and been rudely made aware that the memory can play tricks with one that I have quite understood what was happening to the men I listened to, with such avid interest when I was much younger!

The funny thing I found about the gang leader's story was that instead of asking plainly whether anyone else remembered the chap's name, he began to click the tips of his fingers, saying, “Ahhh! – you know that guy – He used to limp a bit – just mention his name and I shall remind you of it!” (Bɔ ne din na menkae wo!”)

I remembered such tricks when, as I got older, I sometimes forgot the names of commentators I was listening to in such programmes as Test Match Special on the BBC. I remember struggling with a normally easily-to-recall name! I realised that there was something wrong with me.

How could a commentary on a cricket match between England and India not include that golden voice from India? Maybe he would come on later, to break the Anglo-centric chatter of the British commentators then on the air? How could I remember the names of Jonathan Agnew and Geoffrey Boycott, but not that…. that…. man's? The annoying thing was that I remembered the fantastic innings he had played in a match between the MCC and The Rest of the World, and even the year of the match – well, it was about 1984! I could see in my mind's eye, his funny helmet and the unforgettable manner the Australian commentator, Richie Benaud, had gently made fun of it. It was 'the most extraordinary' helmet Benaud had ever seen, Benaud said.

Ah! How irritating.
How could I forget that guy's name? He was the greatest Indian batsman before Sachin Tendulkar came along; he was famous for having publicly refused to accept membership of the MCC after the stewards at one of the entrances to Lord's had refused him entry, because he'd left his pass in the press box or something. Detail upon detail came into my mind. But not the guy's name!

So I moved to the computer. I was going to go to www.google.com and type into the search box, 'Indian+top+batsman'. I knew I would get about one million entries in about half a microsecond.

But then, out of nowhere, I got the feeling that I should rebel against Google. I mean, Google made things so easy it endangered one's ability to recall facts by oneself! When I started on my career in journalism, you would have had to travel to a reference library to borrow the 'International Who's Who', thumb through the index (probably under a subheading entitled 'Sportsmen' and then, a sub-subheading: 'Cricketers', and then find out whether the name you wanted was listed.

Failing that, you might have had to borrow a general book or two on India and hope that sport – and cricket in particular – had been thought worthy of coverage by the editors. This made the information, when it did finally come to hand, quite unforgettable. Well – for a while!

No, I wouldn't Google. I tried some mental tricks: “Spell Mount Kosciuszko!” (A teacher of ours had once titillated us by saying that a talkative classmate had a head that 'looked like Mount Kosciuszko'! We had had to look through many books to find out whether Mount Kosciuszko existed. It did – in Australia.

I was engaged in such memory-testing tactics when one of the star commentators, a guy who could roll out a million words in a half-hour stint, got on to the mike. It was Henry Blofeld. He didn't disappoint. In less than three minutes, he'd found reason to mention the name, 'Sunil Gavaskar'!

Me, I got myself a beer. I was no longer the quizwizz of the BBC's Focus On Africa pro- gramme. Yep.

www.cameronduodu.com

Cameron Duodu
Cameron Duodu, © 2024

Martin Cameron Duodu is a United Kingdom-based Ghanaian novelist, journalist, editor and broadcaster. After publishing a novel, The Gab Boys, in 1967, Duodu went on to a career as a journalist and editorialist.. More Martin Cameron Duodu (born 24 May 1937) is a United Kingdom-based Ghanaian novelist, journalist, editor and broadcaster. After publishing a novel, The Gab Boys, in 1967, Duodu went on to a career as a journalist and editorialist.

Education
Duodu was born in Asiakwa in eastern Ghana and educated at Kyebi Government Senior School and the Rapid Results College, London , through which he took his O-Level and A-Level examinations by correspondence course . He began writing while still at school, the first story he ever wrote ("Tough Guy In Town") being broadcast on the radio programme The Singing Net and subsequently included in Voices of Ghana , a 1958 anthology edited by Henry Swanzy that was "the first Ghanaian literary anthology of poems, stories, plays and essays".

Early career
Duodu was a student teacher in 1954, and worked on a general magazine called New Nation in Ghana, before going on to become a radio journalist for the Ghana Broadcasting Corporation from 1956 to 1960, becoming editor of radio news <8> (moonlighting by contributing short stories and poetry to The Singing Net and plays to the programme Ghana Theatre). <9> From 1960 to 1965 he was editor of the Ghana edition of the South African magazine Drum , <10> and in 1970 edited the Daily Graphic , <3> the biggest-selling newspaper in Ghana.< citation needed >

The Gab Boys (1967) and creative writing
In 1967, Duodu's novel The Gab Boys was published in London by André Deutsch . The "gab boys" of the title – so called because of their gabardine trousers – are the sharply dressed youths who hang about the village and are considered delinquent by their elders. The novel is the story of the adventures of one of them, who runs away from village life, eventually finding a new life in the Ghana capital of Accra . According to one recent critic, "Duodu simultaneously represents two currents in West African literature of the time, on the one hand the exploration of cultural conflict and political corruption in post-colonial African society associated with novelists and playwrights such as Chinua Achebe and Ama Ata Aidoo , and on the other hand the optimistic affirmation of African cultural strengths found in poets of the time such as David Diop and Frank Kobina Parkes . These themes come together in a very compassionate discussion of the way that individual people, rich and poor, are pushed to compromise themselves as they try to navigate a near-chaotic transitional society."

In June 2010 Duodu was a participant in the symposium Empire and Me: Personal Recollections of Imperialism in Reality and Imagination, held at Cumberland Lodge , alongside other speakers who included Diran Adebayo , Jake Arnott , Margaret Busby , Meira Chand , Michelle de Kretser , Nuruddin Farah , Jack Mapanje , Susheila Nasta , Jacob Ross , Marina Warner , and others.

Duodu also writes plays and poetry. His work was included in the anthology Messages: Poems from Ghana ( Heinemann Educational Books , 1970).

Other activities and journalism
Having worked as a correspondent for various publications in the decades since the 1960s, including The Observer , The Financial Times , The Sunday Times , United Press International , Reuters , De Volkskrant ( Amsterdam ), and The Economist , Duodu has been based in Britain as a freelance journalist since the 1980s. He has had stints with the magazines South and Index on Censorship , and has written regularly for outlets such as The Independent and The Guardian .

He is the author of the blog "Under the Neem Tree" in New African magazine (London), and has also published regular columns in The Mail and Guardian ( Johannesburg ) and City Press (Johannesburg), as well as writing a weekly column for the Ghanaian Times (Accra) for many years.< citation needed >

Duodu has appeared frequently as a contributor on BBC World TV and BBC World Service radio news programmes discussing African politics, economy and culture.

He contributed to the 2014 volume Essays in Honour of Wole Soyinka at 80, edited by Ivor Agyeman-Duah and Ogochukwu Promise.
Column: Cameron Duodu

Disclaimer: "The views expressed in this article are the author’s own and do not necessarily reflect ModernGhana official position. ModernGhana will not be responsible or liable for any inaccurate or incorrect statements in the contributions or columns here." Follow our WhatsApp channel for meaningful stories picked for your day.

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