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Tue, 28 Nov 2023 Feature Article

Teacher, Please I Beg!

Teacher, Please I Beg!

When I arrived at the Kyebi Government Middle School in 1951, it was under the illusion that the school would not employ teachers who were as fond of caning pupils as had been the school I’d just left – Asiakwa Presbyterian Senior School. (“Senior” became “Middle” in 1951, without any explanation to us school children!)

I had heard that at Kyebi, the emphasis was more on academic subjects than on things like mending the school fence and/or weeding the school park, activities which, at Asiakwa, often came between school children and the books they were supposed to master. Me, I wasn’t having any of it. One year (Standard Four) was all I could take.

On one occasion, instead of going to cut bamboos in the bush and bringing them to school, as I’d been ordered, I went on a ride with a driver of the Agricultural station, who had promised to teach me how to drive. Thye driver, Mr Kwaku Robert, came from Kukurantumi (about fourteen miles from Asiakwa) and I won his favour by briefing him thoroughly about life in my hometown. He thus enjoyed living there.

In return, he used to allow me to drive his car up and down the town, although my feet could hardly control the brake, accelerator and clutch pedals.

Mr Robert’s car was a beautiful Ford “Pilot” pickup, whose V-8 engine sounded so beautiful that it mesmerised me like very good music. It was a great joy driving it and making smooth gear changes with its synchromesh “steering gear”. (I’d obtained my first driving lessons on a Bedford one-and-a-half-ton truck, whose pedals were so stiff I had to hold on tight to the steering mechanism, before I could summon enough power into my legs to depress the pedals!) With the Bedfoird discarded, I put everything into driving the Ford Pilot as if it had “been made for me”.

Apparently, some busybody at Asiakwa had tipped my headmaster off that if he didn’t take me seriously in hand, I would ditch the school and become a motor driver. So when he asked us to go and cut bamboo sticks and he discovered that instead of going with my mates to cut the bamboos, I’d bribed someone else to cut someone for me, but that instead of bringing me six sticks, the guy had brought me only three, each of which I’d then ingeniously cut in two to bring the number to six, the headmaster ordered that I should be given eighteen lashes of the cane. The whole school was assembled to watch my humiliation.

Well, I thought there would be nothing like that at Kyebi. But I was wrong. The headmaster at the Government Senior School was a short, frisky man who walked so fast that his neck-tie was always flying from the front of his shirt to the back of the garment. Like my former headmaster, he too had a “hangup” – he loathed children who came to school late. The school was surrounded by a hedge of thorny vegetation, and he deliberately allowed the hedge to grow so high that he could hide himself in the hedges without being seen by children who had come in late and wanted to reach the parade ground as fast as possible. (This was helped by the fact that, as I have already noted, he was quite a short fellow.)

In my last year in the school, some really “tough” guys joined us. They came from nearby villages, such as Adadientam). These guys were inevitably late for school each day, as they were forced to walk at least three miles to school each day.

As it happened, they were usually “big” boys physically, and the result was that they were given the job of becoming “prefects” and being put in charge of keeping discipline in the school. Their tasks included trimming the school hedge, so that it would look good to visitors to the school.

What they did was to trim the hedge but to leave “gaps” so cleverly in the hedgerow that those who “knew” could come and pass through them to the school compound when the school gate was padlocked shut!

This had been going on successfully until a day came, when (by whatever means) the headmaster discovered what had been going on, and he hid himself at a convenient spot. As each late-comer used the “hidden” path to gain access to the school compound, he felt a hand fall heavily on his shoulder and a sharp, whispered order saying “GO AND WAIT FOR ME IN THE OFFICE!” office!”

However, one very brave boy, perhaps surprised out of his wits by discovering that the headmaster was hiding in the hedges and had caught him, yelled out instinctively: “OTER HOR OH! (‘HE’S HIDING THERE OH!’) The rest of the late-comers thereupon took to their heels and made off back to town. They didn’t turn up for school that day.

The headmaster gave each of the boys who, on his orders, had earlier gone to “wait for him” in the office, twelve good lashes. It reminded me of my Asiakwa school days. But what was I to do? I had fervently persuaded my father to get me into the Kyebi Government School. Was I to confess to him that I had been wrong? How would he be able to trust my opinion in future?

Yeah – going to school in the colonial days of Ghana was not a “beach holiday”. Presbyterian o, Methodist o, Government School o, duka daaya!

(All de same!)
Yeah – it’s only by the grace of God that some of us managed to stay in school until we were able to leave with our vastly overvalued “certificates”! We must thus thank God for “little mercies!”

Cameron Duodu
Cameron Duodu, © 2023

Martin Cameron Duodu is a United Kingdom-based Ghanaian novelist, journalist, editor and broadcaster. After publishing a novel, The Gab Boys, in 1967, Duodu went on to a career as a journalist and editorialist.. More Martin Cameron Duodu (born 24 May 1937) is a United Kingdom-based Ghanaian novelist, journalist, editor and broadcaster. After publishing a novel, The Gab Boys, in 1967, Duodu went on to a career as a journalist and editorialist.

Education
Duodu was born in Asiakwa in eastern Ghana and educated at Kyebi Government Senior School and the Rapid Results College, London , through which he took his O-Level and A-Level examinations by correspondence course . He began writing while still at school, the first story he ever wrote ("Tough Guy In Town") being broadcast on the radio programme The Singing Net and subsequently included in Voices of Ghana , a 1958 anthology edited by Henry Swanzy that was "the first Ghanaian literary anthology of poems, stories, plays and essays".

Early career
Duodu was a student teacher in 1954, and worked on a general magazine called New Nation in Ghana, before going on to become a radio journalist for the Ghana Broadcasting Corporation from 1956 to 1960, becoming editor of radio news <8> (moonlighting by contributing short stories and poetry to The Singing Net and plays to the programme Ghana Theatre). <9> From 1960 to 1965 he was editor of the Ghana edition of the South African magazine Drum , <10> and in 1970 edited the Daily Graphic , <3> the biggest-selling newspaper in Ghana.< citation needed >

The Gab Boys (1967) and creative writing
In 1967, Duodu's novel The Gab Boys was published in London by André Deutsch . The "gab boys" of the title – so called because of their gabardine trousers – are the sharply dressed youths who hang about the village and are considered delinquent by their elders. The novel is the story of the adventures of one of them, who runs away from village life, eventually finding a new life in the Ghana capital of Accra . According to one recent critic, "Duodu simultaneously represents two currents in West African literature of the time, on the one hand the exploration of cultural conflict and political corruption in post-colonial African society associated with novelists and playwrights such as Chinua Achebe and Ama Ata Aidoo , and on the other hand the optimistic affirmation of African cultural strengths found in poets of the time such as David Diop and Frank Kobina Parkes . These themes come together in a very compassionate discussion of the way that individual people, rich and poor, are pushed to compromise themselves as they try to navigate a near-chaotic transitional society."

In June 2010 Duodu was a participant in the symposium Empire and Me: Personal Recollections of Imperialism in Reality and Imagination, held at Cumberland Lodge , alongside other speakers who included Diran Adebayo , Jake Arnott , Margaret Busby , Meira Chand , Michelle de Kretser , Nuruddin Farah , Jack Mapanje , Susheila Nasta , Jacob Ross , Marina Warner , and others.

Duodu also writes plays and poetry. His work was included in the anthology Messages: Poems from Ghana ( Heinemann Educational Books , 1970).

Other activities and journalism
Having worked as a correspondent for various publications in the decades since the 1960s, including The Observer , The Financial Times , The Sunday Times , United Press International , Reuters , De Volkskrant ( Amsterdam ), and The Economist , Duodu has been based in Britain as a freelance journalist since the 1980s. He has had stints with the magazines South and Index on Censorship , and has written regularly for outlets such as The Independent and The Guardian .

He is the author of the blog "Under the Neem Tree" in New African magazine (London), and has also published regular columns in The Mail and Guardian ( Johannesburg ) and City Press (Johannesburg), as well as writing a weekly column for the Ghanaian Times (Accra) for many years.< citation needed >

Duodu has appeared frequently as a contributor on BBC World TV and BBC World Service radio news programmes discussing African politics, economy and culture.

He contributed to the 2014 volume Essays in Honour of Wole Soyinka at 80, edited by Ivor Agyeman-Duah and Ogochukwu Promise.
Column: Cameron Duodu

Disclaimer: "The views expressed in this article are the author’s own and do not necessarily reflect ModernGhana official position. ModernGhana will not be responsible or liable for any inaccurate or incorrect statements in the contributions or columns here." Follow our WhatsApp channel for meaningful stories picked for your day.

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