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Sun, 26 Nov 2023 Feature Article

Well Done Unknown Blogger

Well Done Unknown Blogger

The Internet has introduced many things – some good, some bad; some very bad.

But I think the emergence of unknown bloggers may take the cake when it comes to bringing matters to the notice of the public.

Look at what appeared as a blogger’s note on mobile telephone screens the other day. It was a well-illustrated presentation of how our authorities have allowed the Black Star Gate at what used to be called the Black Star Square to get into such a state of disrepair that the top might crumble down and (if we are not lucky) deprive some of our citizens of life or limb.

The blogger did not spare the authorities the fruits of his anger. I would not wish to repeat even one of the insults he uttered against them. In effect, he accused them of s lack of patriotism – a lack of the patriotism that would enable them to appreciate why the Black Star Gate was constructed by our first President, Dr Kwame Nkrumah, and why those who followed him thought it worthwhile to maintain it in such a way as to enable it to fulfil its original purpose.

Let’s not beat about the bush: unusual sights help to bring tourists to a country. Mention Paris and everyone immediately thinks of the Eiffel Tower. Say Moscow and well-travelled people will talk to you vividly about the Kremlin and St Basil’s Cathedral. Say London and the House of Commons and Westminster Abbey won’t be too far off the tongues of those who have been there.

What do we have to say for Ghana? Not much, I am afraid. Except the Black Star Square. I’d forgotten its charm and evocative character (what with its unusual “black star” that’s the only one of its type in a cosmo made up of trillions of stars) until a correspondent of the BBC asked me whether I could meet him there to be filmed talking about the Soul-To-Soul concert that took place there half a century or so ago. fifty years ago.

On getting there, my greatest worry was how not to step on some wobbly step or something and finding myself being flung into empty space trying to join the community of galaxies and planets that the James Webb telescope is discovering on a daily basis. I said my piece and returned safely home. And I didn’t think of the place again until – the unknown blogger took pains to show me in minute detail, what a risk I took in allowing a cameraman to position me where. (Hey, Mr BBC-man, where is the link to the pictures that you promised me?)

Our “maintenance culture” (if it exists at all) is nothing to write home about. It probably has something to do with the decapitation of the Public Works Department (PWD). Bedford independence and shortly afterwards, all public buildings and roads were in the care of one governmental body. But as governmental expenditure on roads etc got bigger, the appetite for “eating” some of the money given to the PWD also got bigger and eventually, it was dissolved and turned into the Ghana National Construction Corporation.

We haven’t looked back since then. GNCC’s province was eaten into bit by bit till today, it would be a very bold person who would be able to tell you, offhand, who is in charge of maintaining the Black Star Gate. (I am told, unofficially, that the Ministry of Tourism and the National Security Service have joint charge of it! Can you see the disaster that this is causing? If the National Security Service tells the Ministry of Tourism to erf off, (if the latter becomes too insistent on laying hands of part of the budget for maintenance of the `black Star Gate, what can the Ministry of Tourism do? Complain to the President and be accused of acting in a manner “prejudicial” to the interests of national security? That would be funny, won’t it?

I do realise that there are people in important positions in whose breasts the name “Ghana” doesn’t evoke much emotion. Unlike some of us, they cannot remember moments when Ghana played football so very well that invitations came to us from Russia, East Germany, or Yugoslavia, and that we invited Real Madrid here; and also nStanlkey Matthews. In those days, to hear the Ghana national anthem being played usually meant we had excelled in something or the other.

Today, what most people think of is first is their bank balance; their personal comforts. They won’t perform well at home, and yet when they go abroad and are made to suffer from insulting behaviour from foreigners, they feel hurt.

Sir or Madam Big-Shot Ghanaian, please learn that there is only one way to earn respect from others, and that is to first respect your own self.first. When foreigners have looked down upon you in your own country, how can they think twice before looking down on you in THEIR OWN COUNTRY? Answer that, if you can!

Cameron Duodu
Cameron Duodu, © 2023

Martin Cameron Duodu is a United Kingdom-based Ghanaian novelist, journalist, editor and broadcaster. After publishing a novel, The Gab Boys, in 1967, Duodu went on to a career as a journalist and editorialist.. More Martin Cameron Duodu (born 24 May 1937) is a United Kingdom-based Ghanaian novelist, journalist, editor and broadcaster. After publishing a novel, The Gab Boys, in 1967, Duodu went on to a career as a journalist and editorialist.

Education
Duodu was born in Asiakwa in eastern Ghana and educated at Kyebi Government Senior School and the Rapid Results College, London , through which he took his O-Level and A-Level examinations by correspondence course . He began writing while still at school, the first story he ever wrote ("Tough Guy In Town") being broadcast on the radio programme The Singing Net and subsequently included in Voices of Ghana , a 1958 anthology edited by Henry Swanzy that was "the first Ghanaian literary anthology of poems, stories, plays and essays".

Early career
Duodu was a student teacher in 1954, and worked on a general magazine called New Nation in Ghana, before going on to become a radio journalist for the Ghana Broadcasting Corporation from 1956 to 1960, becoming editor of radio news <8> (moonlighting by contributing short stories and poetry to The Singing Net and plays to the programme Ghana Theatre). <9> From 1960 to 1965 he was editor of the Ghana edition of the South African magazine Drum , <10> and in 1970 edited the Daily Graphic , <3> the biggest-selling newspaper in Ghana.< citation needed >

The Gab Boys (1967) and creative writing
In 1967, Duodu's novel The Gab Boys was published in London by André Deutsch . The "gab boys" of the title – so called because of their gabardine trousers – are the sharply dressed youths who hang about the village and are considered delinquent by their elders. The novel is the story of the adventures of one of them, who runs away from village life, eventually finding a new life in the Ghana capital of Accra . According to one recent critic, "Duodu simultaneously represents two currents in West African literature of the time, on the one hand the exploration of cultural conflict and political corruption in post-colonial African society associated with novelists and playwrights such as Chinua Achebe and Ama Ata Aidoo , and on the other hand the optimistic affirmation of African cultural strengths found in poets of the time such as David Diop and Frank Kobina Parkes . These themes come together in a very compassionate discussion of the way that individual people, rich and poor, are pushed to compromise themselves as they try to navigate a near-chaotic transitional society."

In June 2010 Duodu was a participant in the symposium Empire and Me: Personal Recollections of Imperialism in Reality and Imagination, held at Cumberland Lodge , alongside other speakers who included Diran Adebayo , Jake Arnott , Margaret Busby , Meira Chand , Michelle de Kretser , Nuruddin Farah , Jack Mapanje , Susheila Nasta , Jacob Ross , Marina Warner , and others.

Duodu also writes plays and poetry. His work was included in the anthology Messages: Poems from Ghana ( Heinemann Educational Books , 1970).

Other activities and journalism
Having worked as a correspondent for various publications in the decades since the 1960s, including The Observer , The Financial Times , The Sunday Times , United Press International , Reuters , De Volkskrant ( Amsterdam ), and The Economist , Duodu has been based in Britain as a freelance journalist since the 1980s. He has had stints with the magazines South and Index on Censorship , and has written regularly for outlets such as The Independent and The Guardian .

He is the author of the blog "Under the Neem Tree" in New African magazine (London), and has also published regular columns in The Mail and Guardian ( Johannesburg ) and City Press (Johannesburg), as well as writing a weekly column for the Ghanaian Times (Accra) for many years.< citation needed >

Duodu has appeared frequently as a contributor on BBC World TV and BBC World Service radio news programmes discussing African politics, economy and culture.

He contributed to the 2014 volume Essays in Honour of Wole Soyinka at 80, edited by Ivor Agyeman-Duah and Ogochukwu Promise.
Column: Cameron Duodu

Disclaimer: "The views expressed in this article are the author’s own and do not necessarily reflect ModernGhana official position. ModernGhana will not be responsible or liable for any inaccurate or incorrect statements in the contributions or columns here." Follow our WhatsApp channel for meaningful stories picked for your day.

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