Jamaican singer and producer Lee 'Scratch' Perry who pushed the boundaries of reggae and shepherded dub, died Sunday. He was 85 years old.
"Today Jamaica has lost the rhythm and soul of a prolific music icon who has inspired many," Jamaican Prime Minister Andrew Holness said in the release.
"Lee 'Scratch' Perry was truly one of the most important and creative figures to have come out of Jamaica."
No cause of death was given, but Holness said Perry died while in the Noel Holmes Hospital in Lucea.
A producer for a wide array of artists including Bob Marley, Perry's mastery traversed time and genre, his impact evident from hip hop to post-punk, from The Beastie Boys to The Clash.
Born March 20, 1936 in the rural Jamaican town of Kendal, Rainford Hugh "Lee" Perry left school at age 15, moving to Kingston in the 1960s.
"My father worked on the road, my mother in the fields. We were very poor. I went to school... I learned nothing at all. Everything I have learned has come from nature," Perry told the British music outlet NME in 1984.
"When I left school there was nothing to do except field work. Hard, hard labor. I didn't fancy that. So I started playing dominoes. Through dominoes I practiced my mind and learned to read the minds of others."
"This has proved eternally useful to me."
He began selling records for Clement Coxsone Dodd's sound system in the late 1950s, while also cultivating his own recording career.
Perry broke ranks with Dodds over personal and financial conflicts, moving to Joe Gibbs's Amalgamated Records before also falling out with Gibbs.
In 1968, he formed his own label, "Upsetter Records." His first major single, People Funny Boy -- a jibe at Gibbs -- was praised for its innovative use of a crying baby recording, an early use of a sample.
He gained fame both in Jamaica and abroad, especially in Britain, drawing acclaim for his inventive production, studio wizardry and eccentric persona.
Black Ark studio in Kingston
In 1973, Perry built a backyard studio in Kingston, naming it the "Black Ark," which would birth countless reggae and dub classics.
Adept at layering rhythm and repetition, Perry became a sampling grandmaster whose work created new courses for music's future.
The producer for a number of landmark dub records -- along with Marley, he worked with Max Romeo, Junior Murvin and The Congos -- Perry was key in taking Jamaican music to the international stage, crafting sounds that would endure for decades.
'Salvador Dali of music'
Perry's layering techniques were the stuff of legend; he used stones, water and kitchen utensils to create surreal, often haunting, sonic density.
According to lore, he created drum effects by burying a mic at the base of a palm tree, and wove the sound of marijuana smoke blown into a mic into his works.
"Reggae wizard", "Salvador Dali of dub" (an extension of reggae based on echoes), "The Upsetter": there is no shortage of nicknames for this elusive and influential figure in the history of music who also worked with the Beastie Boys.
"He has a gift of not only hearing sounds that come from nowhere else, but also translating those sounds to the musicians. Scratch is a shaman," Keith Richards told Rolling Stone magazine in 2010.
The highly sought-after producer -- the likes of Paul McCartney recorded with him -- continued to mix and release his own music with his band the Upsetters, but began suffering mentally in the 1970s. The Black Ark fell into disrepair.
The studio ultimately burned down; Perry holds he set it ablaze himself in the early 1980s.
Perry began traveling and living abroad, ultimately settling in Switzerland for a time with his family, and remained prolific until his death.
In 2019, at the age of 83, he released his own album, Heavy Rain, co-produced with Adrian Sherwood, creator of the On-U Sound label, one of his admirers.