body-container-line-1

Make African football safe by CAMERON DUODU

Feature Article Football fans carry a spectator hurt in the stadium stampede in Abidjan yesterday. Photograph: Legnan Koula/EPA
THU, 02 APR 2009
Football fans carry a spectator hurt in the stadium stampede in Abidjan yesterday. Photograph: Legnan Koula/EPA

After 19 deaths in yet another stampede, it's time to ensure African stadiums are built to the same standards as elsewhere

The people of Africa have been killed in football stadium disasters year after year. The worst occurred in Ghana on 9 May 2001 when 123 people were killed after the police fired teargas into crowded stands and a stampede for the gates ensued. Just a month earlier, 43 people had been killed in Johannesburg, South Africa, after spectators had stampeded there too, during a match. At least 10 similar incidents cost scores of lives all over Africa between 1996 and 2009. Yet on 29 March 2009, another disaster was allowed to occur in Ivory Coast, killing 19 people.

The controlling body of world football, Fifa, has sent its condolences to the Ivorian Football Association, and has demanded an inquiry into the disaster. Ivorian prime minister Guillaume Soro and his cabinet are also seeking ways of preventing future soccer disasters. Meanwhile, President Laurent Gbagbo has ordered three days of national mourning, and has asked prosecutors to find out whether anyone is culpable for the tragedy.

But exactly this sort of inquiry is instituted each time such a disaster occurs. What happens to their findings? Does Fifa distribute them to all its members, with a demand that they draw lessons from what happened?

The frequency and similarity of the disasters suggest that Fifa may not have done everything in its power to ensure the safety of African football fans. Football constitutes the single most important – if not the only – entertainment provided on a large scale for the populace of many African countries. International matches, in particular, are not only well patronised but produce such a fervour in the stands it is sometimes frightening to visiting teams.

Everyone knows this, and there is also enough money in the game for Fifa to help the Confederation of African Football finance a rebuilding of the outmoded stadiums where these disasters occur. But the two bodies are very friendly towards each other, and this makes it difficult for Fifa – whose top officials are periodically elected by the local associations – to read the riot act to the African associations and concentrate their minds on anticipating and preventing accidents.

The question of tough measures aside, it is a fact that many of the current African stadiums were built by governments, and the more indigent of them were unable to employ the best architects available to design and construct stadiums with a failsafe capability.

Certainly, the situation has reached crisis proportions, and Fifa must lay down strict rules for constructing stadiums in Africa. When similarly dangerous situations used to occur in Latin America, Fifa ordered the institution of drastic measures there, including the construction of moats round playing fields. Africa needs similar action. If the governments plead that they cannot afford to construct stadiums that meet Fifa's rigorous standards, Fifa must lend them the money and recoup it from future gate receipts. Currently, the African continent is nurturing some of the greatest entertainers in the game and in return, Fifa should help to make watching football in Africa as safe and comfortable as it is elsewhere.

Cameron Duodu
Cameron Duodu, © 2009

Martin Cameron Duodu is a United Kingdom-based Ghanaian novelist, journalist, editor and broadcaster. After publishing a novel, The Gab Boys, in 1967, Duodu went on to a career as a journalist and editorialist.. More Martin Cameron Duodu (born 24 May 1937) is a United Kingdom-based Ghanaian novelist, journalist, editor and broadcaster. After publishing a novel, The Gab Boys, in 1967, Duodu went on to a career as a journalist and editorialist.

Education
Duodu was born in Asiakwa in eastern Ghana and educated at Kyebi Government Senior School and the Rapid Results College, London , through which he took his O-Level and A-Level examinations by correspondence course . He began writing while still at school, the first story he ever wrote ("Tough Guy In Town") being broadcast on the radio programme The Singing Net and subsequently included in Voices of Ghana , a 1958 anthology edited by Henry Swanzy that was "the first Ghanaian literary anthology of poems, stories, plays and essays".

Early career
Duodu was a student teacher in 1954, and worked on a general magazine called New Nation in Ghana, before going on to become a radio journalist for the Ghana Broadcasting Corporation from 1956 to 1960, becoming editor of radio news <8> (moonlighting by contributing short stories and poetry to The Singing Net and plays to the programme Ghana Theatre). <9> From 1960 to 1965 he was editor of the Ghana edition of the South African magazine Drum , <10> and in 1970 edited the Daily Graphic , <3> the biggest-selling newspaper in Ghana.< citation needed >

The Gab Boys (1967) and creative writing
In 1967, Duodu's novel The Gab Boys was published in London by André Deutsch . The "gab boys" of the title – so called because of their gabardine trousers – are the sharply dressed youths who hang about the village and are considered delinquent by their elders. The novel is the story of the adventures of one of them, who runs away from village life, eventually finding a new life in the Ghana capital of Accra . According to one recent critic, "Duodu simultaneously represents two currents in West African literature of the time, on the one hand the exploration of cultural conflict and political corruption in post-colonial African society associated with novelists and playwrights such as Chinua Achebe and Ama Ata Aidoo , and on the other hand the optimistic affirmation of African cultural strengths found in poets of the time such as David Diop and Frank Kobina Parkes . These themes come together in a very compassionate discussion of the way that individual people, rich and poor, are pushed to compromise themselves as they try to navigate a near-chaotic transitional society."

In June 2010 Duodu was a participant in the symposium Empire and Me: Personal Recollections of Imperialism in Reality and Imagination, held at Cumberland Lodge , alongside other speakers who included Diran Adebayo , Jake Arnott , Margaret Busby , Meira Chand , Michelle de Kretser , Nuruddin Farah , Jack Mapanje , Susheila Nasta , Jacob Ross , Marina Warner , and others.

Duodu also writes plays and poetry. His work was included in the anthology Messages: Poems from Ghana ( Heinemann Educational Books , 1970).

Other activities and journalism
Having worked as a correspondent for various publications in the decades since the 1960s, including The Observer , The Financial Times , The Sunday Times , United Press International , Reuters , De Volkskrant ( Amsterdam ), and The Economist , Duodu has been based in Britain as a freelance journalist since the 1980s. He has had stints with the magazines South and Index on Censorship , and has written regularly for outlets such as The Independent and The Guardian .

He is the author of the blog "Under the Neem Tree" in New African magazine (London), and has also published regular columns in The Mail and Guardian ( Johannesburg ) and City Press (Johannesburg), as well as writing a weekly column for the Ghanaian Times (Accra) for many years.< citation needed >

Duodu has appeared frequently as a contributor on BBC World TV and BBC World Service radio news programmes discussing African politics, economy and culture.

He contributed to the 2014 volume Essays in Honour of Wole Soyinka at 80, edited by Ivor Agyeman-Duah and Ogochukwu Promise.
Column: Cameron Duodu

Disclaimer: "The views expressed in this article are the author’s own and do not necessarily reflect ModernGhana official position. ModernGhana will not be responsible or liable for any inaccurate or incorrect statements in the contributions or columns here." Follow our WhatsApp channel for meaningful stories picked for your day.

Do you support or oppose Parliament’s passage of the Anti‑LGBTQ+ Bill 2026?

Started: 30-05-2026 | Ends: 31-08-2026

body-container-line